514. 一幅《旧约圣经》中的刺绣画板,描绘了16世纪上半叶摩西(可能是法国人)的发现 - 《旧约》《圣经》《刺绣》《描绘摩西的发现》《可能是法语》《16世纪上半叶》 高清作品[16%]

AN OLD TESTAMENT BIBLICAL NEEDLEWORK PANEL, DEPICTING THE DISCOVERY OF MOSES, PROBABLY FRENCH, FIRST HALF 16TH CENTURY-AN-OLD-TESTAMENT-BIBLICAL-NEEDLEWORK-PANEL-DEPICTING-THE-DISCOVERY-OF-MOSES-PROBABLY-FRENCH-FIRST-HALF-16TH-CENTURY

AN OLD TESTAMENT BIBLICAL NEEDLEWORK PANEL, DEPICTING THE DISCOVERY OF MOSES, PROBABLY FRENCH, FIRST HALF 16TH CENTURY-AN-OLD-TESTAMENT-BIBLICAL-NEEDLEWORK-PANEL-DEPICTING-THE-DISCOVERY-OF-MOSES-PROBABLY-FRENCH-FIRST-HALF-16TH-CENTURY
一幅《旧约圣经》中的刺绣画板,描绘了16世纪上半叶摩西(可能是法国人)的发现-《旧约》《圣经》《刺绣》《描绘摩西的发现》《可能是法语》《16世纪上半叶》)

515. 福蒂斯看到她的情人卢修斯从阿佩莱乌斯变成了一头驴金驴记` Fotis sees her Lover Lucius Transformed into an Ass. Motif from Apeleius The Golden Ass (1809) by Nicolai Abraham Abildgaard 高清作品[16%]

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Fotis sees her Lover Lucius Transformed into an Ass. Motif from Apeleius The Golden Ass (1809) -

图片文件尺寸: 3873 x 3416px

福蒂斯看到她的情人卢修斯从阿佩莱乌斯变成了一头驴金驴记-尼古拉·亚伯拉罕·阿比德加德

~ Fotis sees her Lover Lucius Transformed into an Ass. Motif from Apeleius The Golden Ass (1809) --Nicolai Abraham Abildgaard (丹麦画家, 1743-1809)

516. 福蒂斯看到她的情人卢修斯从阿佩莱乌斯变成了一头驴金驴记` Fotis sees her Lover Lucius Transformed into an Ass. Motif from Apeleius The Golden Ass (1809) by Nicolai Abraham Abildgaard 高清作品[16%]

~
Fotis sees her Lover Lucius Transformed into an Ass. Motif from Apeleius The Golden Ass (1809) -

图片文件尺寸: 3873 x 3416px

福蒂斯看到她的情人卢修斯从阿佩莱乌斯变成了一头驴金驴记-尼古拉·亚伯拉罕·阿比德加德

~ Fotis sees her Lover Lucius Transformed into an Ass. Motif from Apeleius The Golden Ass (1809) --Nicolai Abraham Abildgaard (丹麦画家, 1743-1809)

520. 年轻的浸信会圣约翰坐在一幅风景画(recto)中,人物组成不明(Dido和Aeneas?)(维索)(1655) by Bartolomé Esteban Murillo 高清作品[16%]

The Youthful Saint John the Baptist Seated in a Landscape (recto), Unidentified Figure Composition (Dido and Aeneas?) (verso) (1655)

材质 :Pen and reddish brown ink over black chalk (recto), pen and brown ink (verso) 尺寸 :27.1 × 19.2 cm

年轻的浸信会圣约翰坐在一幅风景画(recto)中,人物组成不明(Dido和Aeneas?)(维索)(1655)-巴塞洛缪·埃斯特班·穆里略(Spanish, 1617–1682)

英文名称:The Youthful Saint John the Baptist Seated in a Landscape (recto), Unidentified Figure Composition (Dido and Aeneas?) (verso) (1655)-Bartolomé Esteban Murillo