图片文件尺寸: 5324×5118 px

小时候的查尔斯五世皇帝-简·范·比尔斯

` `The Emperor Charles V as a child by Jan Van Beers -The Emperor Charles V as a child (oil on canvas), by Jan Van Beers (1852-1927).

图片文件尺寸: 4000×5027 px

晚霞，在一天结束的时候-托马斯·西德尼·库珀

-Evening glow, at the end of the day (Oil on Canvas), by Thomas Sidney Cooper

图片文件尺寸: 3278 x 4773px

现在比以往任何时候都要忘记你听到的

~ Now more than ever – forget what you hear (1939~1946) -

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丘比特和小时候的普赛克-威廉·阿道夫·布盖罗

-William-Adolphe Bouguereau (1825-1905) was a 法国艺术家 academic painter. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work.
The story of Cupid and Psyche was one of Bouguereau\'s favorite myths. He painted several works inspired from this legend, such as The Rapture of Psyche, Psyche and Cupid, and Psyche. The myth of Cupid and Psyche first appears written in The Golden Ass of Lucius Apuleius in the 2nd century AD. In the story, Psyche is a beautiful princess of whom the goddess Venus is jealous. In her rage she orders her son cupid to make Psyche fall in love with a monster, but Cupid falls in love with her himself. After several trials Cupid and Psyche make their plea to the gods who turn Psyche into an immortal and allow them to be married in heaven (British Library). In this painting Bouguereau was inspired to paint the two lovers together as children. Demonstrating that fate its self had a hand in there meeting. They were born to be together. The subtle paint handling captures the children\'s innocence and illustrates to the viewer that Cupid\'s original attraction to Psyche was not purely physical, but also platonic, for the innocence of childhood does not allow for anything else. You cannot have true love without also having a mutual trust and respect, and a relaxed and enduring companionship between lovers. Cupid and Psyche\'s union then is not just physical: they are soul mates and compliment each other eternally.

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当她哭的时候，救命恩人遇到了她-莫德·亨特乡绅

~ When she cried, help met her (1901) --Maud Hunt Squire (美国艺术家, 1873-1954)

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现在比以往任何时候都要忘记你听到的

~ Now more than ever – forget what you hear (1939~1946) -

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带着十字架的基督出现在洛约拉的圣伊格纳提乌斯面前-多梅尼科·皮奥拉

~ Christ, Carrying His Cross Appears to Saint Ignatius of Loyola (1690s) --Domenico Piola (Italian, 1627 - 1703)

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菲拉雷特族长的帽子。（院子里有一幅偶然出现的赫戈西亚肖像。）-费多格里戈里耶维奇

~ Klobuk patriarkha Filareta. (Litse s portreta nakhodiashchegosia v teremnom dvortse.) (1849 ~ 1853) --Fedor Grigoryevich Solntsev (Russian, 1801 – 1892)

图片文件像素：4800 x 3400 px

古典现代主义中的阿尔芬斯·瓦尔德-

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(Oberndorf 1891–1958 Kitzbühel)
Kitzbühel im Frühling, signiert A. Walde, Tempera, Gouache, Bleistift auf Papier, Passepartout-Ausschnitt 14,6 x 17,6 cm, gerahmt

Dr. Gert Ammann hat im März 2018 dieses Werk im Original untersucht und dessen Echtheit mündlich bestätigt.

Registriert:
Walde-Archiv-Nr. D-LA-520

Vergleiche:
Gert Ammann, Alfons Walde, 4. Auflage, Tyrolia-Verlag, 2001, S. 293 (Bergstadt II-Kitzbühel im Frühling)

Provenienz:
Privatsammlung, Kitzbühel – direkt vom Künstler

材质 :Etching 尺寸 :75.6 × 54 cm Print

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1971年超现实主义时装裸体的超现实主义记忆-萨尔瓦多·达利(Spanish, 1904–1989)

英文名称:Memories of Surrealism Dressed in the Nude in the Surrealist Fashion, 1971-Salvador Dalí