501. 丁尼生这是磨坊主s的女儿——为丈夫和妻子学习——起来,让我们漫步吧` Tennysons The Millers Daughter – Study for Husband and Wife in Arise and Let us Wander Forth (1855~56) by Sir John Everett Millais 高清作品[9%]

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Tennysons The Millers Daughter – Study for Husband and Wife in Arise and Let us Wander Forth (1855~56) -

图片文件尺寸: 2716 x 3843px

丁尼生这是磨坊主s的女儿——为丈夫和妻子学习——起来,让我们漫步吧-米雷

~ Tennysons The Millers Daughter – Study for Husband and Wife in Arise and Let us Wander Forth (1855~56) --Sir John Everett Millais (English, 1829-1896)

502. 对于海洛因和女主人公来说,维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情(总是已经失去)的入口;或者,如何使用符号逻辑在迈克尔湾攻击两栖物,同时在广场完工时保持坐姿(否则,就去问爱丽丝……当她十英尺高的时候……),2020年 by objet A.D 高清作品[9%]

Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020

材质 :Charcoal, Chalk, Oil-stick, and Oil-pastel on Paper 尺寸 :61 × 45.7 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

对于海洛因和女主人公来说,维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情(总是已经失去)的入口;或者,如何使用符号逻辑在迈克尔湾攻击两栖物,同时在广场完工时保持坐姿(否则,就去问爱丽丝……当她十英尺高的时候……),2020年-目标A.D(b. 1993)

英文名称:Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020-objet A.D

504. 当我在那儿的时候,孩子们回家时,你们在这里干什么,美国的学生们,你们将如何回答他` When the boys come home While I was over there what were you doing here, Students of America, how will you answer him (1918) by Wladyslaw Theodore Benda 高清作品[9%]

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When the boys come home While I was over there what were you doing here, Students of America, how will you answer him (1918) -

图片文件尺寸: 2478 x 3371px

当我在那儿的时候,孩子们回家时,你们在这里干什么,美国的学生们,你们将如何回答他-弗拉迪斯拉夫·西奥多·本达

~ When the boys come home While I was over there what were you doing here, Students of America, how will you answer him (1918) --Wladyslaw Theodore Benda (波兰画家, 1873–1948)

505. 看,看,维斯图拉附近。德国人的肚子肿了起来。所以他们不I don’我感觉不太好` Look, Look, Near The Vistula. The German Bellies Are Swelling Up. So They Dont Feel So Good (1914~1915) by Kazimir Malevich 高清作品[9%]

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Look, Look, Near The Vistula. The 德国艺术家 Bellies Are Swelling Up. So They Dont Feel So Good (1914~1915) -

图片文件尺寸: 2561 x 3800px

看,看,维斯图拉附近。德国人的肚子肿了起来。所以他们不I don’我感觉不太好-卡齐米尔·马列维奇

~ Look, Look, Near The Vistula. The 德国艺术家 Bellies Are Swelling Up. So They Dont Feel So Good (1914~1915) --Kazimir Malevich (Russian, 1879 – 1935)

506. 德里克·乔宁19岁时曾在俄克拉荷马州的一所州立监狱服刑4年半,他说:“我没有被关进监狱,主要是因为我不想遇到比现在更多的问题。看起来你很软弱,这是你在监狱里最不想被打电话的事情。”。(2018年) by Jamil Hellu 高清作品[9%]

“I was not out in prison mainly because I didn’t want more problems than I already had. It can look like you’re soft, and that’s the last thing you want to be called in prison,” said Derek Chowning who went to a state correctional facility in Oklahoma for 4 ½ years when he was 19. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

德里克·乔宁19岁时曾在俄克拉荷马州的一所州立监狱服刑4年半,他说:“我没有被关进监狱,主要是因为我不想遇到比现在更多的问题。看起来你很软弱,这是你在监狱里最不想被打电话的事情。”。(2018年)-Jamil灯

英文名称:“I was not out in prison mainly because I didn’t want more problems than I already had. It can look like you’re soft, and that’s the last thing you want to be called in prison,” said Derek Chowning who went to a state correctional facility in Oklahoma for 4 ½ years when he was 19. (2018) | Available for Sale-Jamil Hellu

507. 并不是一切都像现在看起来的那样。你不确定下一步该走哪条路。如此不确定让人感觉不舒服,但你必须做出决定,因为站着不或原地不都不是一种选择。做出你的选择。(2021) by Dannielle Tegeder and Sharmistha Ray 高清作品[9%]

Not everything is as it seems right now. You are unsure as to which way to go next. It feels uncomfortable to be so unsure, but you must make a decision because standing still or remaining in place is not an option. Make your choice. (2021)

材质 :Acrylic and flashe on canvas 尺寸 :152.4 × 121.9 cm Painting

并不是一切都像现在看起来的那样。你不确定下一步该走哪条路。如此不确定让人感觉不舒服,但你必须做出决定,因为站着不或原地不都不是一种选择。做出你的选择。(2021)-Dannielle Tegeder和Sharmistha Ray

英文名称:Not everything is as it seems right now. You are unsure as to which way to go next. It feels uncomfortable to be so unsure, but you must make a decision because standing still or remaining in place is not an option. Make your choice. (2021)-Dannielle Tegeder and Sharmistha Ray

508. 海洋画家展览。。。法国海军联盟。。。为起来的海员救济委员会` Exposition des peintres de la mer . . . á la Ligue Navale française . . . au profit des Comités de Secours aux Marins Mobilisés (1917) by André Verdilhan 高清作品[9%]

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Exposition des peintres de la mer . . . á la Ligue Navale française . . . au profit des Comités de Secours aux Marins Mobilisés (1917) -

图片文件尺寸: 3677 x 2394px

海洋画家展览。。。法国海军联盟。。。为起来的海员救济委员会-安德烈·威尔迪汉

~ Exposition des peintres de la mer . . . á la Ligue Navale française . . . au profit des Comités de Secours aux Marins Mobilisés (1917) --André Verdilhan (法国艺术家, 1881-1963)

509. 拉奥孔。拉奥孔的两项研究s的脸,一个从下面看起来是正脸,另一个从侧面看是左边` Laocoon. Two studies of Laocoons face, one seem en face from below, and the other in profile to the left (1628 – 1629) by Willem Panneels 高清作品[9%]

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Laocoon. Two studies of Laocoons face, one seem en face from below, and the other in profile to the left (1628 – 1629) -

图片文件尺寸: 3548 x 2197px

拉奥孔。拉奥孔的两项研究s的脸,一个从下面看起来是正脸,另一个从侧面看是左边-威廉·潘尼尔斯先生

` Laocoon. Two studies of Laocoons face, one seem en face from below, and the other in profile to the left (1628 – 1629) --Willem Panneels (Flemish, c.1600 – c.1634)

510. 拉奥孔。拉奥孔的两项研究s的脸,一个从下面看起来是正脸,另一个从侧面看是左边` Laocoon. Two studies of Laocoons face, one seem en face from below, and the other in profile to the left (1628 – 1629) by Willem Panneels 高清作品[9%]

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Laocoon. Two studies of Laocoons face, one seem en face from below, and the other in profile to the left (1628 – 1629) -

图片文件尺寸: 3548 x 2197px

拉奥孔。拉奥孔的两项研究s的脸,一个从下面看起来是正脸,另一个从侧面看是左边-威廉·潘尼尔斯先生

~ Laocoon. Two studies of Laocoons face, one seem en face from below, and the other in profile to the left (1628 – 1629) --Willem Panneels (Flemish, c.1600 – c.1634)