图片文件尺寸: 2651 x 4096px
《美丽的画像》,塔玛崖花村崎-喜多川歌麿
~ Portrait of Beauty, Hanamurasaki at Tama~ya (late 18th century – ca. 1806) --Kitagawa Utamaro (Japanese, 1753-1806)
材质 :Watercolour, gel pen on paper, wooden frame, glass 尺寸 :28 × 24 cm Painting
我的想法很清楚。颜色就在那里。他们试图充分利用它。暖红色和冷红色交替出现。带来美丽。以及一些反思和悲伤,2022年-克里斯蒂·孔吉()
英文名称:My thoughts were clear. The colours were there. And they tried to make the most of it. Warm and cool reds alternating. Bringing beauty. As well as some reflection and sadness, 2022-Kristi Kongi
图片文件尺寸: 6400×4969 px
美丽的安提亚带领她的同伴进入以弗所的戴安娜神庙-约瑟夫·佩林克
-In The Fair Anthia Joseph Paelinck depicts an episode in an ancient Greek tale. During a parade in the temple of Artemis in Ephesus the proud warrior Abrocomeus met the beautiful Anthia. Eros, the god of love, was vexed by Abrocomeuss indifference and contrived to make him fall passionately in love with the young woman. They married, but Eross revenge continued to persecute them. They were kidnapped by pirates, sold as slaves, separated from one another but eventually their love and fidelity helped them overcome their trials and tribulations. The story lends itself perfectly to propagating the nineteenth-century bourgeois moral values. The painting depicts the parade with Anthia in the centre and Abrocomeus to the right in his red coat. The theme, the balanced composition and the careful rendition contribute to making this painting an excellent example of the Classic ideal of Paelinck and other followers of Jacques-Louis David.