492. 爱(艺术家授权,印第安纳波利斯刻刻艺术和摩根基金会邮票和艺术家版权)(2011) by Robert Indiana 高清作品[10%]

LOVE (Artist Authorized, with Incised Indianapolis Museum of Art & Morgan Foundation Stamp and Artist Copyright) (2011) | Available for Sale

材质 :Brushed Aluminum (Red) with Stamped Text from The Indianapolis Museum of Art and Morgan Art Foundation bearing Artists authorized copyright 尺寸 :7.6 × 7.6 × 3.8 cm Reproduction

爱(艺术家授权,印第安纳波利斯刻刻艺术和摩根基金会邮票和艺术家版权)(2011)-罗伯特·印第安纳(American, 1928–2018)

英文名称:LOVE (Artist Authorized, with Incised Indianapolis Museum of Art & Morgan Foundation Stamp and Artist Copyright) (2011) | Available for Sale-Robert Indiana

499. 巴洛克风格的装饰板设计,用于普拉斯林城堡(Chateau de Vaux Praslin)` Design for a decorative panel in the Baroque style for the Chateau de Vaux~Praslin (19th Century) by Jules-Edmond-Charles Lachaise 高清作品[10%]

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Design for a decorative panel in the Baroque style for the Chateau de Vaux~Praslin (19th Century) -

图片文件尺寸: 2423 x 3688px

巴洛克风格的装饰板设计,用于普拉斯林城堡(Chateau de Vaux Praslin)-朱尔斯·爱德蒙·查尔斯·拉切斯

~ Design for a decorative panel in the Baroque style for the Chateau de Vaux~Praslin (19th Century) --Jules-Edmond-Charles Lachaise (法国艺术家, ?-1897)

500. 一张日本风格的镀金青铜圭里登桌,其顶部由中国托盘景泰蓝珐琅构成,由爱德华·李耶夫(Edouard Lièvre)为Maison F.Barbedianne(1875年左右的巴黎为展台,18世纪末的中国清朝为顶部) by Edouard Lièvre 高清作品[10%]

A patinated and gilded bronze gueridon table in the Japanese style, its top composed of a Chinese tray cloisonné enamel, executed by Edouard Lièvre for the Maison F. Barbedienne (Paris, circa 1875 for the stand and China, dynasty Qing, end of 18th century for the top)

材质 :Patinated and gilded bronze ; cloisonné enamel (top). 尺寸 :85 × 73 cm Design\\\\u002FDecorative Art

一张日本风格的镀金青铜圭里登桌,其顶部由中国托盘景泰蓝珐琅构成,由爱德华·李耶夫(Edouard Lièvre)为Maison F.Barbedianne(1875年左右的巴黎为展台,18世纪末的中国清朝为顶部)-爱德华·利耶夫(French, 1828–1886)

英文名称:A patinated and gilded bronze gueridon table in the Japanese style, its top composed of a Chinese tray cloisonné enamel, executed by Edouard Lièvre for the Maison F. Barbedienne (Paris, circa 1875 for the stand and China, dynasty Qing, end of 18th century for the top)-Edouard Lièvre