42. 八件作品:N\'s YARD海报对不起,不能左眼!;小星星居住者;在乳白色的湖中/思考的湖中;夜深人静;布兰基;让我们谈谈荣耀;《午夜真相》,加利福尼亚州,2011年由N\'s YARD Nasushiobara出版。 by Yoshitomo Nara 高清作品[40%]

Eight Works: N\'s YARD Posters Sorry, Couldn’t Draw the Left Eye!; The Little Star Dweller; In the Milky Lake / Thinking One; Dead of Night; Blankey;  Let’s Talk About Glory; Midnight Truth, ca. Published by N’s YARD-Nasushiobara in 2011.

材质 :Screenprint in Colors on Smooth Paper 尺寸 :72.9 × 51.5 cm Print

图片文件尺寸 : 5630 x 4332px

八件作品:N\'s YARD海报对不起,不能左眼!;小星星居住者;在乳白色的湖中/思考的湖中;夜深人静;布兰基;让我们谈谈荣耀;《午夜真相》,加利福尼亚州,2011年由N\'s YARD Nasushiobara出版。-奈良吉友(Japanese, b. 1959)

英文名称:Eight Works: N\'s YARD Posters Sorry, Couldn’t Draw the Left Eye!; The Little Star Dweller; In the Milky Lake / Thinking One; Dead of Night; Blankey; Let’s Talk About Glory; Midnight Truth, ca. Published by N’s YARD-Nasushiobara in 2011.-Yoshitomo Nara

45. 1993年4月14日(A)和1997年4月14日,东京青山南部新比约·舒潘有限公司发型设计师山田德夫。 by Christopher Williams 高清作品[35%]

Tokuyo Yamada, Hair Designer, Shinbiyo Shuppan Co., Ltd., Minami-Aoyama, Tokyo, April 14, 1993 (A) und (R), 1997.

材质 : 2 sheets Color photographs. Dye Transfer Prints

图片文件尺寸 : 4859 x 3695 px

1993年4月14日(A)和1997年4月14日,东京青山南部新比约·舒潘有限公司发型设计师山田德夫。-克里斯托弗·威廉姆斯

英文名称:Tokuyo Yamada, Hair Designer, Shinbiyo Shuppan Co., Ltd., Minami-Aoyama, Tokyo, April 14, 1993 (A) und (R), 1997.-Christopher Williams

46. 幽灵奥基库凶狠地俯视着青山武士和两名护卫员,中央面板`The ghost Okiku looks balefully down on the Samurai Aoyama and two retainers, central panel by Toyohara Kunichika 高清作品[32%]

AF-The ghost Okiku looks balefully down on the Samurai Aoyama and two retainers, central panel

图片文件尺寸: 4032×6000 px

幽灵奥基库凶狠地俯视着青山武士和两名护卫员,中央面板-丰原久一家

-This image relates to the play \'The mansion of plates at Banchō\' as it was performed in Tokyo in 1892. Printed on three sheets of paper, it depicts a ghost appearing before the samurai Aoyama Tessan and his attendants. There are many versions of the story in which, having had his advances rejected by the housemaid Okiku, Aoyama hides an imported 荷兰艺术家 plate and blames her for its loss. Shamed by the accusation, Okiku drowns herself and her distraught ghost returns each night to haunt Aoyama. He is eventually driven mad by her visits. Kunichika has dramatically captured the horror expressed by the men and the serpentine movement of the ghost.