材质 :Mahogany 尺寸 :Godson & Coles Design\\\\u002FDecorative Art

乔治三世时期的精美红木胸罩（1765年）-未知的(Unknown)

英文名称:A FINE GEORGE III PERIOD MAHOGANY CHEST ON CHEST (1765)-Unknown

材质 :This is a unique work. 尺寸 :About the work Installation

我父亲的肤色时期（2012年）-Hiwa K

英文名称:My Father’s Color Period (2012)-Hiwa K

材质 :Silver Gelatin Print 尺寸 :29.8 × 39.1 cm Photography

特别时期（2015年）-拉莫·帕切科

英文名称:Untitled, from El Periodo Especial [The Special Period] (2015)-Ramón Pacheco

图片文件尺寸 : 6373×3657 px

艰难时期1898-巴兹尔·布拉德利

- Hard Times, 1898 (oil on canvas) by Bradley, Basil

材质 :

图片文件尺寸 : 4859 x 3695 px

巴塞罗那的蓝色时期，1965年。-毕加索

英文名称:Die blaue Periode von Barcelona, 1963.-Pablo Picasso

材质 :Daylight and LED light 尺寸 :About the work Installation

阿滕统治时期的渲染（2013年）-詹姆斯·特瑞尔(American, b. 1943)

英文名称:Rendering for Aten Reign (2013)-James Turrell

材质 :Etching with drypoint 尺寸 :68.6 × 76.2 cm Print

文艺复兴时期音乐家（2019）-乔治·康多(American, b. 1957)

英文名称:Renaissance Musicians (2019)-George Condo

材质 :Metal esmaltado 尺寸 :32 × 37 × 9 cm Fashion Design and Wearable Art

壶和壶（约1765年，清朝，乾隆时期）-无名艺术家

英文名称:Jarra y bacia (ca. 1765, Dinastia Qing, periodo Qianlong.)-Unknown Artist

材质 :Archival Pigment Print on Hahnemühle Museum Etching 350 gsm 尺寸 :96 × 66.67 cm Photography

《过渡时期的浩劫》（2021年）-劳拉·J·帕吉特

英文名称:The Enormity of the Interim (2021) | Available for Sale-Laura J. Padgett

图片文件尺寸: 6000×3622 px

恩索时期-苏木谷

-Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.