41. 《七个妓女与道家神仙》中的妓女在盆栽梅花旁读书` Courtesan Reading Beside a Potted Plum Tree, from the series Seven Courtesans Compared to Daoist Immortals (early 1820s) by Gakutei Harunobu 高清作品[25%]

~ Courtesan Reading Beside a Potted Plum Tree, from the series Seven Courtesans Compared to Daoist Immortals (early 1820s) -

图片文件尺寸: 5681 x 6359px

《七个妓女与道家神仙》中的妓女在盆栽梅花旁读书-加库泰哈伦布

~ Courtesan Reading Beside a Potted Plum Tree, from the series Seven Courtesans Compared to Daoist Immortals (early 1820s) --Gakutei Harunobu (Japanese, 1786-1868)

46. 滑稽宴会，1550年`Burlesque Feast, 1550 by Jan Mandijn 高清作品[24%]

AF-Burlesque Feast, 1550

图片文件尺寸 : 6600×4444 px

滑稽宴会，1550年-Jan Mandijn

-Jan Mandijn or Jan Mandyn (1500-1560) was a Dutch Renaissance painter, who worked in Antwerp after 1530.

This motley banquet is a satirical depiction of a peasant wedding to which a number of guests have been invited, all equally bizarre and absurd. The scene, packed with anecdotes and symbols, unfolds in an interior in which the guests, following mediaeval custom, are seated at one side only of the tables, according to their rank. The main character is a stout and slovenly bride wearing a crown of wooden spoons, the symbol of gluttony, and eggshells, the symbol of crassitude and lechery. Behind her a red drapery is vaulted like a baldachin on which rests a crown of laurel, both of which were customary elements in Flemish peasant weddings of the 16th and 17th centuries, while the rattle hanging from the crown of laurel is another reference to foolishness.

Burlesque Feast, 1550 (Oil on Canvas), by Jan Mandijn

相关：
欧式宴会油画图片欣赏 欧式宴会油画图片大全简单 欧式宴会油画图片欣赏大全 神仙世界油画 宴会名画 皇家宴会的名画
首页 主题 艺术运动 风景