41. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上娘》是一部宏大的现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[35%]

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Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上娘》是一部宏大的现实主义作品-斯特罗布里奇公司。

~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

42. 表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[33%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

47. 法布里哈伦(196年,德国纽拉特;1979年,德国萨尔恩斯多夫;1983年,比利时沙勒罗伊;1985年,德国盖尔森基兴/鲁尔)(196-1985) by Bernd and Hilla Becher 高清作品[26%]

Fabrikhallen (Neurath, Germany 1962; Ensdorf, Saar, Germany 1979; Charleroi, Belgium 1983; Gelsenkirchen/Ruhr, Germany 1985) (1962-1985) | Available for Sale

材质 :4 Gelatin silver prints 尺寸 :30 × 40 cm Photography

法布里哈伦(196年,德国纽拉特;1979年,德国萨尔恩斯多夫;1983年,比利时沙勒罗伊;1985年,德国盖尔森基兴/鲁尔)(196-1985)-伯恩和希拉·贝克(German, 1931 and 1934)

英文名称:Fabrikhallen (Neurath, Germany 1962; Ensdorf, Saar, Germany 1979; Charleroi, Belgium 1983; Gelsenkirchen/Ruhr, Germany 1985) (1962-1985) | Available for Sale-Bernd and Hilla Becher