材质 :C-Print on Metallic Paper Mounted on Acrylic 尺寸 :80 × 60 in Photography

黑色是一种颜色——Jay Z（2020）-提姆·泰德

英文名称:Black is a Color – Jay Z (2020) | Available for Sale-Tim Tadder

材质 :Embroidered handkerchief in beech frame with Ultravue glass 尺寸 :30 × 32 cm Textile Arts

种族主义是一种病毒（2020年）-海塞尔霍尔德酒店；邮寄(Danish)

英文名称:Racism Is a Virus (2020) | Available for Sale-Hesselholdt & Mejlvang

材质 :Monocopy 尺寸 :70 × 50 cm Drawing, Collage or other Work on Paper

漠不关心是一种犯罪（1970-2020年）-路易斯·帕佐斯(Argentine, b. 1940)

英文名称:La indiferencia es un delito (1970-2020) | Available for Sale-Luis Pazos

材质 :Stained wood and glass 尺寸 :40 × 30 × 8 cm Sculpture

殖民地是一种生物IX（2020）-克里斯·阿特韦尔(South African, b. 1994)

英文名称:The Colony is a Kind of Creature IX (2020) | Available for Sale-Chrisél Attewell

材质 :Charcoal on Paper 尺寸 :63.5 × 44.5 cm Drawing, Collage or other Work on Paper

艾米丽与鲜花（春天不再是一种仪式）（2020年）-安妮·墨菲·罗宾逊(American, b. 1967)

英文名称:Emily With Flowers (Spring is no Longer a Rite) (2020)-Annie Murphy-Robinson

材质 :Hand-embroidered wool on canvas over panel 尺寸 :60 × 120 cm Textile Arts

据我72岁的秘鲁室友说，这可能是一种“走进去”的精神（2018年）-塞西莉亚·查尔顿(American, b. 1985)

英文名称:It might\'ve been a walk-in spirit (according to my 72-year-old Peruvian roommate) (2018) | Available for Sale-Cecilia Charlton

材质 :Multi-channel video 尺寸 :This work is part of a limited edition set. Video\\\\u002FFilm\\\\u002FAnimation

伟大的“我”是一种发光的光，存在于众生的真实自我中（2022年）-王欣

英文名称:The Great “I” is a Luminous Light that is Present in the True Self of All Beings (2022) | Available for Sale-Wang Xin

图片文件尺寸: 5200 x 6976px

超级石斛是一种失谐菌-让-朱尔斯·林登

~ Dendrobium superbum var anosmum (1885~1906) --Jean Jules Linden (Belgian, 1817-1898)

图片文件尺寸: 4143 x 6232px

杜鹃花是一种（杂交）植物-查尔斯·安托万·勒梅尔

~ Azalea indica (hybrida) gigantiflora (1854~1896) --Charles Antoine Lemaire (法国艺术家, 1800-1871)

图片文件尺寸 : 8000×6400 px

自画像是一种幻想-莎拉·伯恩哈特

-French actor and artist Sarah Bernhardt was perhaps the first global superstar, with legions of admirers spread across Britain, continental Europe, North and South America, and as far afield as Australia. In this fantastical bronze inkwell, she portrayed herself as a chimera, a mythological creature composed of disparate body parts. Here, Bernhardt joined her human torso and head to clawed haunches, bat wings, and a dragon-like tail. The work is a key example of her inspired use of visual media to fashion and promote her own image.