44. 意大利北部学校,2。16的一半。在19世纪,绘大师、直到1900年的版、和微型` by Norditalienische Schule, 2. Hälfte des 16. Jahrhunderts 高清作品[24%]

DO-Norditalienische Schule, 2. Hälfte des 16. Jahrhunderts - Meisterzeichnungen, Druckgraphik bis 1900, Aquarelle u. Miniaturen
图片文件像素:4600 x 3500 px

意大利北部学校,2。16的一半。在19世纪,绘大师、直到1900年的版、-

-

设计为一幅带有纹章的卡通,由四个putti装框,棕色羽毛覆盖在黑色粉笔的痕迹上,棕色水洗,在纸上,18;x;14,8;厘米,帕塞普,无框架(Sch)

46. 如果新世界我的。加州的万德罗斯。坐在门廊上啜饮,好像没有明天,就在我们把狗屎烧成灰烬之前。(2016) by Umar Rashid (Frohawk Two Feathers) 高清作品[23%]

If the New World were mine. Vandrossing in Califas. Sitting, and sipping on that stoop like there was no tomorrow, right before we burned that shit to the ground. (2016)

材质 :Acrylic, ink, coffee and tea, on paper 尺寸 :111.8 × 142.2 cm Painting

如果新世界我的。加州的万德罗斯。坐在门廊上啜饮,好像没有明天,就在我们把狗屎烧成灰烬之前。(2016)-乌马尔·拉希德(两根羽毛)(American, b. 1976)

英文名称:If the New World were mine. Vandrossing in Califas. Sitting, and sipping on that stoop like there was no tomorrow, right before we burned that shit to the ground. (2016)-Umar Rashid (Frohawk Two Feathers)

47. 便携式三联:十字架(中央面板);圣约翰浸信会捐赠者(左翼);安提阿圣玛格丽特捐赠者(右翼) - 归因于PIETER-CLAEISSENS-THE-ELDER-(1500-1576)和北荷兰学校-CIRCA-1550- 高清作品[23%]

 A PORTABLE TRIPTYCH: THE CRUCIFIXION (CENTRAL PANEL); DONATOR WITH ST JOHN THE BAPTIST (LEFT WING); DONATOR WITH ST MARGUERITE OF ANTIOCHE (RIGHT WING)-ATTRIBUTED-TO-PIETER-CLAEISSENS-THE-ELDER-(1500-1576)-AND-NORTH-NETHERLANDS-SCHOOL-CIRCA-1550-

A PORTABLE TRIPTYCH: THE CRUCIFIXION (CENTRAL PANEL); DONATOR WITH ST JOHN THE BAPTIST (LEFT WING); DONATOR WITH ST MARGUERITE OF ANTIOCHE (RIGHT WING)-ATTRIBUTED-TO-PIETER-CLAEISSENS-THE-ELDER-
(便携式三联:十字架(中央面板);圣约翰浸信会捐赠者(左翼);安提阿圣玛格丽特捐赠者(右翼)-归因于PIETER-CLAEISSENS-THE-ELDER-(1500-1576)和北荷兰学校-CIRCA-1550-)

48. 回声描绘——威尔·赛尔夫(Will Self)在大雅茅斯(Great Yarmouth)的海滨了一幅漫艺术家的肖像,同时向我描述了三十年后世界将如何终结,2019年7月10日(2016年9月10日) by Ryan Gander 高清作品[21%]

Echo Portrayal - Will Self having his portrait drawn by a caricature artist on the sea front at Great Yarmouth whilst describing to me how the world will end in thirty years time, 16.09, July 10, 2019 (2019)

材质 :Acrylic on mirror 尺寸 :206.1 × 148.3 × 0.5 cm Painting

回声描绘——威尔·赛尔夫(Will Self)在大雅茅斯(Great Yarmouth)的海滨了一幅漫艺术家的肖像,同时向我描述了三十年后世界将如何终结,2019年7月10日(2016年9月10日)-瑞安·甘德(British, b. 1976)

英文名称:Echo Portrayal - Will Self having his portrait drawn by a caricature artist on the sea front at Great Yarmouth whilst describing to me how the world will end in thirty years time, 16.09, July 10, 2019 (2019)-Ryan Gander

50. 探索真理;花球(3D)-变成红色!;花球(3D)-红色、粉色、蓝色;花球(3D)-纸草;花球(3D)-蓝色、红色;毕加索思想;这个世界上没有永恒的东西。这就是你美丽的原因;嘿你你能感受到我的感受吗?;花球(3D)-红色球;了解2013-2015年的第51维度 by Takashi Murakami 高清作品[20%]

Groping for the Truth; Flowerball (3D) – Turn Red!; Flowerball (3D) – Red, Pink, Blue; Flowerball (3D) – Papyrus; Flowerball (3D) – Blue, Red; Thoughts on Picasso; There is Nothing Eternal in this World. That is Why You are Beautiful; Hey! You! Do You Feel What I Feel?; Flowerball (3D) – Red Ball; and Comprehending the 51st Dimension, 2013-2015

材质 :Lithographs in colours, on smooth wove paper 尺寸 :71 × 71 cm Print

图片文件尺寸 : 5630 x 4332px

探索真理;花球(3D)-变成红色!;花球(3D)-红色、粉色、蓝色;花球(3D)-纸草;花球(3D)-蓝色、红色;毕加索思想;这个世界上没有永恒的东西。这就是你美丽的原因;嘿你你能感受到我的感受吗?;花球(3D)-红色球;了解2013-2015年的第51维度-村上隆(Japanese, b. 1962)

英文名称:Groping for the Truth; Flowerball (3D) – Turn Red!; Flowerball (3D) – Red, Pink, Blue; Flowerball (3D) – Papyrus; Flowerball (3D) – Blue, Red; Thoughts on Picasso; There is Nothing Eternal in this World. That is Why You are Beautiful; Hey! You! Do You Feel What I Feel?; Flowerball (3D) – Red Ball; and Comprehending the 51st Dimension, 2013-2015-Takashi Murakami