41. 女王两具尸体——或者说,自从第一次劈裂以来,谣传和流言蜚语过时时代,2021 by objet A.D 高清作品[29%]

The Queen\'s Two Bodies--or, An Anachronistic History of Rumor and Gossip Since the First Recorded Cleavage, 2021

材质 :Charcoal, Chalk, Oil, Oil-stick, and Oil-pastel on Paper 尺寸 :61 × 45.7 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

女王两具尸体——或者说,自从第一次劈裂以来,谣传和流言蜚语过时时代,2021-目标A.D(b. 1993)

英文名称:The Queen\'s Two Bodies--or, An Anachronistic History of Rumor and Gossip Since the First Recorded Cleavage, 2021-objet A.D

42. 2022年,为什么晚上没有任何阴凉——或者,蠕虫编织东西只对小偷有用 by objet A.D 高清作品[29%]

Why There\'s Never Any Shade At Night--or, What Worms Weave Only Counts for Thieves, 2022

材质 :Charcoal, Chalk, Oil, Oil-stick, Oil-pastel, and Gesso on Hard Board 尺寸 :91.4 × 91.4 × 0.6 cm Painting

图片文件尺寸 : 5630 x 4332px

2022年,为什么晚上没有任何阴凉——或者,蠕虫编织东西只对小偷有用-目标A.D(b. 1993)

英文名称:Why There\'s Never Any Shade At Night--or, What Worms Weave Only Counts for Thieves, 2022-objet A.D

44. 正是在伯顿和密歇根州拐角处,我决定爱上一个浅肤色女人,或者爱上一个美丽屋顶(2013年) by Theaster Gates 高清作品[29%]

It was at the Corner of Burton and Michigan that I Decided to Love a Light-Skinned Woman or Roof with Beauties (2013)

材质 :Wood, roofing paper, rubber, tar, and printed paper 尺寸 :184.2 × 184.9 cm Painting

正是在伯顿和密歇根州拐角处,我决定爱上一个浅肤色女人,或者爱上一个美丽屋顶(2013年)-剧院大门(American, b. 1973)

英文名称:It was at the Corner of Burton and Michigan that I Decided to Love a Light-Skinned Woman or Roof with Beauties (2013)-Theaster Gates

45. 整个该死东西都着火了。或者,早期绅士化对坚韧不拔人群影响。(2021) by Umar Rashid (Frohawk Two Feathers) 高清作品[29%]

The whole fucking thing is on fire. Or, The effects of early gentrification on an unyielding population. (2021)

材质 :Acrylic and spray paint on canvas 尺寸 :183 × 183 cm Painting

整个该死东西都着火了。或者,早期绅士化对坚韧不拔人群影响。(2021)-乌马尔·拉希德(两根羽毛)

英文名称:The whole fucking thing is on fire. Or, The effects of early gentrification on an unyielding population. (2021)-Umar Rashid (Frohawk Two Feathers)

47. 饥饿,口渴,以及如何接受你日常死亡——或者,为什么我们只吃我们想要东西(一旦我们称重了),2021 by objet A.D 高清作品[28%]

Hunger, Thirst, and How to Receive Your Daily Dead--or, Why We Only Eat What We Want (Once We\'ve Been Weighed), 2021

材质 :Charcoal, Chalk, and Oil-stick on Paper 尺寸 :35.6 × 27.9 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

饥饿,口渴,以及如何接受你日常死亡——或者,为什么我们只吃我们想要东西(一旦我们称重了),2021-目标A.D(b. 1993)

英文名称:Hunger, Thirst, and How to Receive Your Daily Dead--or, Why We Only Eat What We Want (Once We\'ve Been Weighed), 2021-objet A.D

48. 图帕克和图帕克,安第斯山脉时间领主。或者是失败菲茨卡莱多。(2021年) by Umar Rashid (Frohawk Two Feathers) 高清作品[28%]

Tupac y Tupac, Time lords of the Andes. Or, a failed Fitzcarraldo. (2021) | Available for Sale

材质 :Acrylic and spray paint on canvas 尺寸 :183 × 183 cm Painting

图帕克和图帕克,安第斯山脉时间领主。或者是失败菲茨卡莱多。(2021年)-乌马尔·拉希德(两根羽毛)

英文名称:Tupac y Tupac, Time lords of the Andes. Or, a failed Fitzcarraldo. (2021) | Available for Sale-Umar Rashid (Frohawk Two Feathers)

50. 从加丘平到克里奥尔语,或者墨西哥西班牙人不再是。(2022年) by Wendy Cabrera Rubio 高清作品[28%]

De gachupin al criollo, O como los españoles de México dejaron de serlo. (2022)

材质 :Plato de pasta cerámica de baja temperatura y plato de barro oaxaca con óxido de hierro y sangre deshidratada. 尺寸 :27 cm diameter Sculpture

从加丘平到克里奥尔语,或者墨西哥西班牙人不再是。(2022年)-温迪·卡布雷拉·卢比奥

英文名称:De gachupin al criollo, O como los españoles de México dejaron de serlo. (2022)-Wendy Cabrera Rubio