材质 :Acrylic on canvas 尺寸 :75 × 100 cm Painting
图片文件尺寸 : 5630 x 4332px
《哲学的狗》，2011年-维克多·皮沃瓦洛夫(Russian, b. 1937)
英文名称:The Philosophical Dog, 2011-Viktor Pivovarov
42.
哲学家，1951/52。 by Otto Eder 高清作品[25%]
材质 : Bronze with brown patina
图片文件尺寸 : 4859 x 3695 px
哲学家，1951/52。-奥托·埃德
英文名称:Philosoph, 1951/52.-Otto Eder
43.
哲学编年史（2017） by Claire Morel 高清作品[25%]
材质 :Colour pencils on paper 尺寸 :35 × 25 cm Drawing, Collage or other Work on Paper
哲学编年史（2017）-克莱尔·莫雷尔。(French, b. 1980)
英文名称:Chroniques philosophiques (2017)-Claire Morel
44.
哲学家之舞 by Emilio Tadini 高清作品[25%]
材质 :Acrylic on canvas 尺寸 :30 × 30 cm Painting
哲学家之舞-埃米利奥·塔迪尼
英文名称:Ballo dei filosofi-Emilio Tadini
45.
哲学家的球 by Emilio Tadini 高清作品[25%]
材质 :Acrylic on canvas 尺寸 :54 × 65 cm Painting
哲学家的球-埃米利奥·塔迪尼
英文名称:Il ballo dei filosofi-Emilio Tadini
46.
哲学家大厅（2014） by Catherine Wagner 高清作品[25%]
材质 :Archival pigment print 尺寸 :95.3 × 127 cm Photography
哲学家大厅（2014）-卡瑟因·瓦格纳
英文名称:Philosophers’ Hall (2014) | Available for Sale-Catherine Wagner
47.
哲学家，2022年 by Dan Oliver 高清作品[25%]
材质 :Acrylic on canvas 尺寸 :61 × 61 cm Painting
哲学家，2022年-丹·奥利弗()
英文名称:Philosopher, 2022-Dan Oliver
48.
Osnovnoye为作品展览入口处的展台设计`
Osnovnoye Design for a stand at the entrance to an exhibition of works by the students of the Basic Course of VKhUTEMAS (1920) by the students of the Basic Course of VKhUTEMAS by Gustavs Klucis 高清作品[25%]
图片文件尺寸: 3658 x 5233px
Osnovnoye为作品展览入口处的展台设计-Gustavs Klucis教授的VKhUTEMAS基础课程的学生
~ Osnovnoye Design for a stand at the entrance to an exhibition of works by the students of the Basic Course of VKhUTEMAS (1920) --Gustavs Klucis
49.
哲学`
La philosophie (1890) by Georges Callot 高清作品[25%]
图片文件尺寸: 4067 x 8761px
哲学-乔治·卡洛特
` La philosophie (1890) --Georges Callot (法国艺术家, 1857-1903)
50.
哲学，1899年`Philosophy, 1899 by Gustav Klimt 高清作品[25%]
图片文件尺寸: 3376×5000 px
哲学，1899年-古斯塔夫·克里姆特
-Philosophy was the first of the three pictures presented to the 奥地利艺术家 Government at the seventh Vienna Secession exhibition in March 1900. It had been awarded a gold medal at the World Exhibition in Paris, but was attacked by those in his own country. Klimt described the painting as follows: \"On the left a group of figures, the beginning of life, fruition, decay. On the right, the globe as mystery. Emerging below, a figure of light: knowledge.\" Critics were disturbed by its depiction of men and women drifting in an aimless trance. The original proposal for the theme of the painting was \"The Victory of Light over Darkness\", but what Klimt presented instead was a dreamlike mass of humanity, referring neither to optimism nor rationalism, but to a \"viscous void\"
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