图片文件尺寸: 5684 x 7220px
一个戴着头巾和盔甲的男人-查尔斯·范曼德三世
~ A Man Wearing a Turban and Armour (1625 – 1670) --Karel van Mander III (荷兰艺术家, 1609–1670)
材质 :Original lithograph printed in colors on wove paper bearing the Arches script watermark. 尺寸 :64.8 × 49.8 cm Print
图片文件尺寸 : 5630 x 4332px
对女人来说,剩下的是什么?。。。(对于一个女人来说,还有什么?…)1967年-马克·夏加尔(Russian-French, 1887–1985)
英文名称:A LA FEMME, QU’EST-IL RESTÉ? . . . (For a Woman What Remains? . . .), 1967-Marc Chagall
图片文件尺寸: 6187×9100 px
自画像,一个戴着红色头巾的男人的画像-简·范艾克先生
-Jan van Eyck (1390-1441) was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art.
This impassive face is almost certainly that of Jan van Eyck himself, and the painting a powerful statement of his artistic skill. His motto, Als Ich Can, is painted in Greek letters on the upper frame; the words are an abbreviation of a Flemish saying and a pun on Jan’s name: ‘as I[ich/Eyk] can [but not as I would]’. The bottom inscription is in abbreviated Latin and says, ‘Jan van Eyck made me on 21 October 1433’.
The sitter’s clothing is that of a prosperous individual. Most striking is his flamboyant red hat – a chaperon, a headdress for men fashionable in the fifteenth century. The hood, which usually hung down over the wearer’s neck and shoulders, has been piled up on top of the sitter’s head, the long tail wound around it. The strong contrast between the dark shadows in the creases and the bright highlights where the folded fabric catches the light is typical of van Eyck.