43. 法国奥莫鲁壁炉钟,路易十六风格,里昂·波托尼的作品,巴黎,1870年保图姆` by Französische Ormolu Kaminuhr im Louis-XVI-Stil, das Werk Leon Potonie, Paris, um 1870 高清作品[20%]

DO-Französische Ormolu Kaminuhr im Louis-XVI-Stil, das Werk Leon Potonie, Paris, um 1870 - Herbstauktion
图片文件像素:4800 x 3400 px

法国奥莫鲁壁炉钟,路易十六风格,里昂·波托尼的作品,巴黎,1870年保图姆拍卖会-

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带弹簧缠绕的圆形镀铜车轮机芯,表示为:巴黎波托尼(Leon)
塔布利瑟,机芯编号:3356,钟形锁盘半小时敲击,带有罗马时标和分钟的白色搪瓷表盘,镀金青铜外壳,铸造、凿制、冲压和黑色大理石,侧面马赛克,附件为potpourrie盖花瓶,可拆卸盖,带把手为果篮,移动可尽可能验证

47. 表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[18%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

48. 一个多色彩木架,描了一位杂技演员,可能是19世纪中期的威尼斯 - A-多色-涂漆-木材-支架-描-杂技演员-可能-威尼斯-19世纪中叶 高清作品[18%]

A polychrome painted wood stand depicting an acrobat, probably Venice, mid 19th century-A-polychrome-painted-wood-stand-depicting-an-acrobat-probably-Venice-mid-19th-century

A polychrome painted wood stand depicting an acrobat, probably Venice, mid 19th century-A-polychrome-painted-wood-stand-depicting-an-acrobat-probably-Venice-mid-19th-century
(一个多色彩木架,描了一位杂技演员,可能是19世纪中期的威尼斯-A-多色-涂漆-木材-支架-描-杂技演员-可能-威尼斯-19世纪中叶)

50. 乔治三世(GEORGE III)的多色彩烤盘底座几乎肯定是由罗伯特·亚当(ROBERT ADAM)和托马斯·奇本代尔(THOMAS CHIPPENDALE)设计的(约1785年) by Thomas Chippendale 高清作品[17%]

A GEORGE III POLYCHROME PAINTED PLATE WARMER PEDESTAL ALMOST CERTAINLY DESIGNED BY ROBERT ADAM, AND ALMOST CERTAINLY BY THOMAS CHIPPENDALE (ca. 1785)

材质 :Painted wood 尺寸 :102 × 64 × 64 cm Other

乔治三世(GEORGE III)的多色彩烤盘底座几乎肯定是由罗伯特·亚当(ROBERT ADAM)和托马斯·奇本代尔(THOMAS CHIPPENDALE)设计的(约1785年)-托马斯·齐本德尔(British, 1718–1779)

英文名称:A GEORGE III POLYCHROME PAINTED PLATE WARMER PEDESTAL ALMOST CERTAINLY DESIGNED BY ROBERT ADAM, AND ALMOST CERTAINLY BY THOMAS CHIPPENDALE (ca. 1785)-Thomas Chippendale