471. 画廊里有一位艺术家画了一个女人和一个女孩。绘画艺术的寓言` A Picture Gallery with an Artist Painting a Woman and a Girl. Allegory of the Art of Painting (1659 ~ 1669) by Gillis van Tilborgh 高清作品[20%]

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A Picture Gallery with an Artist Painting a Woman and a Girl. Allegory of the Art of Painting (1659 ` 1669) -

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画廊里有一位艺术家画了一个女人和一个女孩。绘画艺术的寓言-吉利斯·范蒂尔伯格

` A Picture Gallery with an Artist Painting a Woman and a Girl. Allegory of the Art of Painting (1659 ` 1669) --Gillis van Tilborgh (Flemish, 1625-1678)

472. 皮带设计M.C.Nieuwbarn,Antoon van Dijck《人与大师》,继1903年他最著名的作品之后的20幅照相版画` Bandontwerp voor; M.C. Nieuwbarn, Antoon van Dijck; de mensch en de meester, twintig photogravures naar zijne meest beroemde werken, 1903 (1904) by Carel Adolph Lion Cachet 高清作品[20%]

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Bandontwerp voor; M.C. Nieuwbarn, Antoon van Dijck; de mensch en de meester, twintig photogravures naar zijne meest beroemde werken, 1903 (1904) -

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皮带设计M.C.Nieuwbarn,Antoon van Dijck《人与大师》,继1903年他最著名的作品之后的20幅照相版画-卡雷尔·阿道夫狮子纪念印

~ Bandontwerp voor; M.C. Nieuwbarn, Antoon van Dijck; de mensch en de meester, twintig photogravures naar zijne meest beroemde werken, 1903 (1904) --Carel Adolph Lion Cachet (荷兰艺术家, 1864 – 1945)

473. 埃德温·弗利(Edwin Foley)在朗福德城堡(Longford Castle)的画廊和绿色客厅中的红木和镀金格鲁吉亚套房` Mahogany and gilt Georgian suite in the gallery and green drawing~room of Longford Castle (1910 ~ 1911) by Edwin Foley 高清作品[20%]

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Mahogany and gilt Georgian suite in the gallery and green drawing~room of Longford Castle (1910 ~ 1911) -

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埃德温·弗利(Edwin Foley)在朗福德城堡(Longford Castle)的画廊和绿色客厅中的红木和镀金格鲁吉亚套房-埃德温·福利

~ Mahogany and gilt Georgian suite in the gallery and green drawing~room of Longford Castle (1910 ~ 1911) --Edwin Foley (English, 1859-1912)

474. 一套四张的展览海报,分别是小津、Cinobio Group和ZERO Group先锋派。罗丝·弗里德画廊的小琴海报,1966b。di fontana工作室的ZERO Group海报,1965c。马可尼工作室的小琴海报,1967年(两件作品)d.Cinobio集团海报,1967年 - 各种各样的艺术家 高清作品[20%]

A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967

  • Various Artists
  • A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967
  • posters printed in colours
  • A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967-VARIOUS-ARTISTS
    (一套四张的展览海报,分别是小津、Cinobio Group和ZERO Group先锋派。罗丝·弗里德画廊的小琴海报,1966b。di fontana工作室的ZERO Group海报,1965c。马可尼工作室的小琴海报,1967年(两件作品)d.Cinobio集团海报,1967年-各种各样的艺术家)

    475. 舞台设计设置了通往画廊的腹股沟拱形楼梯,左边是通往第二层的另一个楼梯` Design for a Stage Sets Groin~vaulted Stairway Leading to a Gallery with Another Stairway to a Second Story at Left (1698–1765) by Giovanni Battista Natali III 高清作品[19%]

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Design for a Stage Sets Groin~vaulted Stairway Leading to a Gallery with Another Stairway to a Second Story at Left (1698–1765) -

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    舞台设计设置了通往画廊的腹股沟拱形楼梯,左边是通往第二层的另一个楼梯-乔瓦尼·巴蒂斯塔·纳塔利三世

    ~ Design for a Stage Sets Groin~vaulted Stairway Leading to a Gallery with Another Stairway to a Second Story at Left (1698–1765) --Giovanni Battista Natali III (Italian, 1698-1765)

    476. 罗马,圣玛丽亚·德尔·波波洛教堂的一幕,背景是带有朱利奥二世·德拉·罗弗尔纹章的风琴画廊` Rome, a Scene in the Church of Santa Maria del Popolo, in the Background the Organ Gallery with the Coat of Arms of Giulio II della Rovere by Luigi Marchesi 高清作品[19%]

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Rome, a Scene in the Church of Santa Maria del Popolo, in the Background the Organ Gallery with the Coat of Arms of Giulio II della Rovere-

    图片文件尺寸: 2819 x 3571px

    罗马,圣玛丽亚·德尔·波波洛教堂的一幕,背景是带有朱利奥二世·德拉·罗弗尔纹章的风琴画廊-路易吉·马尔凯西

    ~ Rome, a Scene in the Church of Santa Maria del Popolo, in the Background the Organ Gallery with the Coat of Arms of Giulio II della Rovere--Luigi Marchesi (Italian, 1825-1862)

    477. 《人民生活中的音乐》,第21页。7月20日下午在华沙著名指挥家菲特尔伯格歌剧院(Fitelberg Opera House,prices 1-5 Mk)主持波兰大师的作品。` Musik im Leben der Völker, am 21. Juli 20 Uhr dirigiert im Opernhaus Fitelberg, Warschaus berühmter Dirigent, Werke polnischer Meister, Preise 1–5 Mk. (1927) by Kurt Schwitters 高清作品[18%]

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Musik im Leben der Völker, am 21. Juli 20 Uhr dirigiert im Opernhaus Fitelberg, Warschaus berühmter Dirigent, Werke polnischer Meister, Preise 1–5 Mk. (1927) -

    图片文件尺寸: 3022 x 4096px

    《人民生活中的音乐》,第21页。7月20日下午在华沙著名指挥家菲特尔伯格歌剧院(Fitelberg Opera House,prices 1-5 Mk)主持波兰大师的作品。-维特斯

    ~ Musik im Leben der Völker, am 21. Juli 20 Uhr dirigiert im Opernhaus Fitelberg, Warschaus berühmter Dirigent, Werke polnischer Meister, Preise 1–5 Mk. (1927) --Kurt Schwitters (德国艺术家, 1887 - 1948)

    478. 的小巢穴区Nevers、Nesle Tower、卢浮宫大画廊和皇家桥(木制),从新桥俯瞰。` Le quartier du Petit Nesle avec lHôtel de Nevers, la tour de Nesle, la Grande Galerie du Louvre et le pont Royal (en bois), vus du Pont~Neuf. (1637) by Abraham de Verwer 高清作品[18%]

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Le quartier du Petit Nesle avec lHôtel de Nevers, la tour de Nesle, la Grande Galerie du Louvre et le pont Royal (en bois), vus du Pont~Neuf. (1637) -

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    的小巢穴区Nevers、Nesle Tower、卢浮宫大画廊和皇家桥(木制),从新桥俯瞰。-亚伯拉罕·德维尔

    ~ Le quartier du Petit Nesle avec lHôtel de Nevers, la tour de Nesle, la Grande Galerie du Louvre et le pont Royal (en bois), vus du Pont~Neuf. (1637) --Abraham de Verwer (荷兰艺术家, 1585-1650)

    479. 佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特是一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年) by Jamil Hellu 高清作品[18%]

    “The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

    材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

    佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特是一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年)-Jamil灯

    英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu