471. 纽约的一个雨天，（芯片系统设计的另一个好处是，所有的东西都离得很近。在我们讨论的速度下，数据必须传输的距离，即使是以光速传输，也很重要。在SoC中，将数据传输到毫米甚至微米将比在母亲周围厘米（2021年）更快供出售 by Florian Meisenberg 高清作品[28%]

A rainy day in New York, (Another benefit of a system-in-a-chip design is that everything is so much closer together. At the speeds we are talking about, the distance data has to travel, even at the speed of light, can matter. It is going to be quicker to move data over millimetres or even microns within an SoC as opposed to centimetres around a mother (2021) | Available for Sale

材质 :Computer controlled permanent marker, oilpaint on canvas 尺寸 :112 × 102 cm Painting

纽约的一个雨天，（芯片系统设计的另一个好处是，所有的东西都离得很近。在我们讨论的速度下，数据必须传输的距离，即使是以光速传输，也很重要。在SoC中，将数据传输到毫米甚至微米将比在母亲周围厘米（2021年）更快供出售-弗洛里安(German, b. 1980)

英文名称:A rainy day in New York, (Another benefit of a system-in-a-chip design is that everything is so much closer together. At the speeds we are talking about, the distance data has to travel, even at the speed of light, can matter. It is going to be quicker to move data over millimetres or even microns within an SoC as opposed to centimetres around a mother (2021) | Available for Sale-Florian Meisenberg

472. 当我还是个孩子的时候，我爱我的动物同伴，渴望看到、触摸和闻到每一个新的动物，即使是在马戏团，我知道那是一个悲伤的地方。当我骑着大象去那里时，我哭了，同时也为我感到的兴奋而感到内疚（2021年） by Andrea Joyce Heimer 高清作品[28%]

I Loved My Animal Companions As A Child And Was Eager To See, Touch, And Smell Each New One, Even At The Circus, Which I Knew Was A Sad Place, And I Cried When I Rode The Elephant There, All The While Feeling Guilty For The Exhilaration I Felt Too (2021)

材质 :Acrylic and oil stick on panel 尺寸 :101.6 × 152.4 cm Painting

当我还是个孩子的时候，我爱我的动物同伴，渴望看到、触摸和闻到每一个新的动物，即使是在马戏团，我知道那是一个悲伤的地方。当我骑着大象去那里时，我哭了，同时也为我感到的兴奋而感到内疚（2021年）-安德里亚·乔伊斯·海默(American, b. 1981)

英文名称:I Loved My Animal Companions As A Child And Was Eager To See, Touch, And Smell Each New One, Even At The Circus, Which I Knew Was A Sad Place, And I Cried When I Rode The Elephant There, All The While Feeling Guilty For The Exhilaration I Felt Too (2021)-Andrea Joyce Heimer

474. 设计为一个桶状容器，有一个带饰条的把手，身体上装饰着舞蹈和音乐，制作古董风格的人物` Design for a Bucket~Like Vessel with a Handle of Strapwork, on a Body Adorned with Dancing and Music~Making Antique~Style Figures (1540–50) by Girolamo Genga 高清作品[28%]

~ Design for a Bucket~Like Vessel with a Handle of Strapwork, on a Body Adorned with Dancing and Music~Making Antique~Style Figures (1540–50) -

图片文件尺寸: 2237 x 3346px

设计为一个桶状容器，有一个带饰条的把手，身体上装饰着舞蹈和音乐，制作古董风格的人物-吉罗拉莫·根加

~ Design for a Bucket~Like Vessel with a Handle of Strapwork, on a Body Adorned with Dancing and Music~Making Antique~Style Figures (1540–50) --Girolamo Genga (Italian, 1476-1551)

475. 树木繁茂的古典景观，人物休息在前景中，沐浴在河中，远处是一座城镇` A wooded classical landscape with figures resting in the foreground and bathing in the river, a town beyond by John Wootton 高清作品[28%]

~ A wooded classical landscape with figures resting in the foreground and bathing in the river, a town beyond-

图片文件尺寸: 3480 x 1943px

树木繁茂的古典景观，人物休息在前景中，沐浴在河中，远处是一座城镇-约翰·伍顿

~ A wooded classical landscape with figures resting in the foreground and bathing in the river, a town beyond--John Wootton (English, 1686–1765)

479. 拉奥孔。拉奥孔的两项研究s的脸，一个从下面看起来是正脸，另一个从侧面看是左边` Laocoon. Two studies of Laocoons face, one seem en face from below, and the other in profile to the left (1628 – 1629) by Willem Panneels 高清作品[27%]

` Laocoon. Two studies of Laocoons face, one seem en face from below, and the other in profile to the left (1628 – 1629) -

图片文件尺寸: 3548 x 2197px

拉奥孔。拉奥孔的两项研究s的脸，一个从下面看起来是正脸，另一个从侧面看是左边-威廉·潘尼尔斯先生

` Laocoon. Two studies of Laocoons face, one seem en face from below, and the other in profile to the left (1628 – 1629) --Willem Panneels (Flemish, c.1600 – c.1634)

480. 拉奥孔。拉奥孔的两项研究s的脸，一个从下面看起来是正脸，另一个从侧面看是左边` Laocoon. Two studies of Laocoons face, one seem en face from below, and the other in profile to the left (1628 – 1629) by Willem Panneels 高清作品[27%]

~ Laocoon. Two studies of Laocoons face, one seem en face from below, and the other in profile to the left (1628 – 1629) -

图片文件尺寸: 3548 x 2197px

拉奥孔。拉奥孔的两项研究s的脸，一个从下面看起来是正脸，另一个从侧面看是左边-威廉·潘尼尔斯先生

~ Laocoon. Two studies of Laocoons face, one seem en face from below, and the other in profile to the left (1628 – 1629) --Willem Panneels (Flemish, c.1600 – c.1634)

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