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亲爱的、可爱的、聪明的、快乐的、忠诚的芒格尔-亚历山大·波克

~ Der liebe, süße, kluge, fröhliche, treue Mungerl--Alexander Pock (奥地利艺术家, 1871-1950)

图片文件尺寸: 3761 x 3761px

宁静池塘（萨尔茨堡戈林附近的埃格尔西）-古斯塔夫·克里姆特

~ Tranquil Pond (Egelsee near Golling, Salzburg) (1899) --Gustav Klimt (奥地利艺术家, 1862-1918)

图片文件尺寸: 2789 x 3628px

温泽尔·哈格尔斯塔姆的阿泰纽姆封面-艾伯特·爱德费尔特

~ Ateneum~lehden kansikuva, julkaisija Wentzel Hagelstam (1898) --Albert Edelfelt (Finnish, 1854 - 1905)

材质 :Charcoal, Chalk, Oil, Oil-stick, Oil-pastel, and Gesso on Hard Board 尺寸 :91.4 × 91.4 × 0.6 cm Painting

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2022年，为什么晚上没有任何阴凉——或者，蠕虫编织的东西只对小偷有用-目标A.D(b. 1993)

英文名称:Why There\'s Never Any Shade At Night--or, What Worms Weave Only Counts for Thieves, 2022-objet A.D

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阿姆斯特丹辛格尔河畔的拉丁学校-雅各布微笑着

~ The Latin school on the Singel, Amsterdam (1802) --Jacob Smies (荷兰艺术家, 1765-1833)

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乡绅阿尔弗雷德·黑格的肖像（1803-1872）-康斯坦丁·汉森

~ Portrait of the squire Alfred Hage (1803~1872) (c. 1856) --Constantin Hansen (Danish, 1804-1880)

材质 :Watercolor on paper 尺寸 :25.4 × 17.8 cm Drawing, Collage or other Work on Paper

你说这是什么黑色的\\“我有很多‘玩表亲’——black（06.04.20）（2020）-阿曼达·威廉姆斯（生于1974年）(American, b. 1974)

英文名称:What Black Is This You Say? \\\"I got a lot of ‘play cousins’” -black (06.04.20) (2020) | Available for Sale-Amanda Williams (b. 1974)

材质 :Acrylic on Canvas 尺寸 :35 × 27 cm Painting

非禮勿聽：你在說什麼? 不要听到邪恶的声音：你在说什么？（2022年）-陈开仁

英文名称:非禮勿聽：你在說什麼? Hear no evil: What are you talking about? (2022) | Available for Sale-CHEN Kai- Ren

材质 :Acrylic, Spray Paint, Oil Stick, House Paint, Marker, Gesso, Pencil and paper on canvas. 尺寸 :120 × 100 cm Painting

“你最好拿着契诃夫的枪，”她说，“2021，你永远不知道什么时候需要它。”-韦安祖()

英文名称:You Better Hold Onto Chekhov\'s Gun, She Said, You Never Know When You Might Need it, 2021-Andrew Weir

图片文件尺寸: 3788×5000 px

安格尔的小提琴，蒙帕纳斯的琪琪-曼雷

-The Violon d\'Ingres depicts the nude back of Kiki de Montparnasse, the 法国艺术家 model, actress and nightclub singer who permeated and helped shape Parisian culture of the 1920s. She is posed in accordance with the Valpinçon Bather by Jean Auguste Dominque Ingres hanging famously in the Louvre. The curves of her figure mimic those of a violin, and as such, Man Ray superimposes sound holes characteristic of the musical instrument onto the small of her back. Indeed, the colloquial 法国艺术家 saying \"violon d\'Ingres\" refers to a hidden talent eclipsed by one\'s primary skill--derived from the little known fact that Ingres was an accomplished violinist in addition to his success as an artist. A further reading of the image alludes to the inherent sexual nuances--presenting this actress in the guise of the 19th century Orientalist femme fatale and thereby opening her up to the predatory male gaze or to being \"played\" like an instrument.
The source of this multi-dimensional title reveals Man Ray\'s wit and knowledge of painting and the history of art, as well as demonstrating his status as a forerunner of conceptual art. Arturo Schwarz writes that \"A photograph thus became an exciting Surrealist image by the coupling of two distant realities\' that transformed the woman\'s torso into the body of a violin. In addition--and this was probably what mattered to Man Ray--he was hinting at the fact that photography was for him merely his violon d\'Ingres; his real interests lay elsewhere\" (A. Schwarz, The Rigour of Imagination, New York, 1977, p. 281).
As a leading figure in the DADA and Surrealist movements, Man Ray paved the way for conceptual art practice as it developed in the course of the 20th century. His advancements in photography, namely through photocollage and in his self-proclaimed rayographs (cameraless photography), represent only a small piece of his contribution to the art world.