457. 绘画而对皮奥特·怀兹主教长袍下部的研究贾德维加女王她的誓言` Study of lower part of the robe of Bishop Piotr Wysz for the painting ;Queen Jadwigas Oath (1867) by Józef Simmler 高清作品[8%]

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Study of lower part of the robe of Bishop Piotr Wysz for the painting ;Queen Jadwigas Oath (1867) -

图片文件尺寸: 2194 x 3856px

绘画而对皮奥特·怀兹主教长袍下部的研究贾德维加女王她的誓言-Józef Simmler

` Study of lower part of the robe of Bishop Piotr Wysz for the painting ;Queen Jadwigas Oath (1867) --Józef Simmler (波兰画家, 1823-1868)

458. 绘画而对皮奥特·怀兹主教长袍下部的研究贾德维加女王她的誓言` Study of lower part of the robe of Bishop Piotr Wysz for the painting Queen Jadwigas Oath (1867) by Józef Simmler 高清作品[8%]

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Study of lower part of the robe of Bishop Piotr Wysz for the painting Queen Jadwigas Oath (1867) -

图片文件尺寸: 2194 x 3856px

绘画而对皮奥特·怀兹主教长袍下部的研究贾德维加女王她的誓言-Józef Simmler

~ Study of lower part of the robe of Bishop Piotr Wysz for the painting Queen Jadwigas Oath (1867) --Józef Simmler (波兰画家, 1823-1868)

460. 这位思想家于1880年出演,1910年出演`The Thinker, Modeled 1880, Cast 1910 by Auguste Rodin 高清作品[8%]

AF-The Thinker, Modeled 1880, Cast 1910

图片文件尺寸: 4755×5800 px

这位思想家于1880年出演,1910年出演-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
Rodin originally conceived The Thinker as a depiction of the Italian poet Dante Alighieri (1265–1321) sitting in the upper center of a monumental sculptural doorway titled The Gates of Hell (below). Inspired by Dante’s description of a journey through the underworld in his epic poem The Divine Comedy (about 1320), The Thinker contemplates mankind’s fate while gazing at a host of damned figures writhing in anguish below. Stripped of clothing, the figure’s rippling muscles convey an inner, animating life force symbolic of mental activity or creative effort. The figure leans forward, as if ready to spring from his perch, yet seems simultaneously caught in the inaction of deep thought. Rodin produced independent versions of The Thinker, first in this original size and later in a monumental version.