443. 作品9:通灵上帝——约翰·弥尔顿,《失乐园》,第十卷第6行(1920-1945年) by Winold Reiss 高清作品[21%]

[Opus 9: God All-Seeing - John Milton, Paradise Lost, Book X, line 6] (1920-1945) | Available for Sale

材质 :Pastel and graphite on black paper 尺寸 :30.2 × 22.5 cm Drawing, Collage or other Work on Paper

作品9:通灵上帝——约翰·弥尔顿,《失乐园》,第十卷第6行(1920-1945年)-温诺德赖斯(American, 1886–1953)

英文名称:[Opus 9: God All-Seeing - John Milton, Paradise Lost, Book X, line 6] (1920-1945) | Available for Sale-Winold Reiss

445. 无标题[来自8幅无标题作品集]。(Jahn#76-#83,庄园#3180306693181306683070318230673183)(1979年) by Fred Sandback 高清作品[21%]

Untitled [from an untitled portfolio of eight prints]. (Jahn #76 - #83, Estate #3180,3069,3181,3068,3070,3182,3067,3183) (1979)

材质 :Linoleum cut on Japanese paper with cut edge 尺寸 :33 × 33 cm Print

无标题[来自8幅无标题作品集]。(Jahn#76-#83,庄园#3180306693181306683070318230673183)(1979年)-弗雷德·萨蒂巴克(American, 1943–2003)

英文名称:Untitled [from an untitled portfolio of eight prints]. (Jahn #76 - #83, Estate #3180,3069,3181,3068,3070,3182,3067,3183) (1979)-Fred Sandback

449. 思想者》青铜雕塑`The Thinker, Bronze Sculpture by Auguste Rodin 高清作品[21%]

AF-The Thinker, Bronze Sculpture

图片文件尺寸: 4552×5800 px

思想者》青铜雕塑-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
Rodin originally conceived The Thinker as a depiction of the Italian poet Dante Alighieri (1265–1321) sitting in the upper center of a monumental sculptural doorway titled The Gates of Hell (below). Inspired by Dante’s description of a journey through the underworld in his epic poem The Divine Comedy (about 1320), The Thinker contemplates mankind’s fate while gazing at a host of damned figures writhing in anguish below. Stripped of clothing, the figure’s rippling muscles convey an inner, animating life force symbolic of mental activity or creative effort. The figure leans forward, as if ready to spring from his perch, yet seems simultaneously caught in the inaction of deep thought. Rodin produced independent versions of The Thinker, first in this original size and later in a monumental version.