445. 古典钟摆,19岁。在19世纪,` by Neoklassizistische Pendule, 19. Jahrhundert 高清作品[20%]

DO-Neoklassizistische Pendule, 19. Jahrhundert - Osterauktion
图片文件像素:4600 x 3500 px

古典钟摆,19岁。在19世纪,复活节拍卖-

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圆形黄铜铂金机芯,带弹簧悬挂的钟摆,带阿拉伯刻度的白色搪瓷表盘,大理石黄色金属外壳,带残余镀金,以两个带附件的方尖碑的形式,钟摆,钥匙,高度约35.5厘米,机芯改变,可有条件行走,需要维修,大理石分级,损坏400

448. 安德烈·勒哈特,古典现代主义` by André Lhote 高清作品[20%]

DO-André Lhote  - Klassische Moderne
图片文件像素:4800 x 3400 px

安德烈·勒哈特,古典现代主义-

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(Bordeaux 1885–1962 Paris)
Déjeuner au bord de l’eau, ca. 1913, signiert A. Lhote, Aquarell auf Papier auf Karton, 24 x 31,5 cm, ger., (MCC)

Fotozertifikat:
Archive André Lhote, pour le catalogue raisonné, Mme Dominique Bermann Martin, Paris, März 2016

Provenienz:
Privatsammlung, Italien

450. 美人鱼`A Mermaid by John William Waterhouse RA 高清作品[20%]

AF-A Mermaid

图片文件尺寸: 3882×5700 px

美人鱼-约翰·威廉·沃特豪斯

-Mermaids traditionally were sirens who lured sailors to their death through their captivating song. They were also tragic figures as mermaids could not survive in the human world which they yearned for and men could not exist in their watery realm, so any relationship was doomed. In Waterhouse\'s painting no sailors are depicted so that despite being a \'siren\' the mermaid is shown as an alluring rather lonely figure, albeit with a fish tail. The atmosphere evoked is one of gentle melancholy as the mermaid sits alone in an isolated inlet, dreamily combing out her long hair with her lips parted in song. Beside her is a shell filled with pearls, which some believed to be formed from the tears of dead sailors.