442. Jurojin,来自系列福津·高原·阿瓦塞与的福神宝藏比较` Jurojin, from the series ;A Comparison of the Treasures of the Gods of Good Fortune (Fukujin takara awase) (c. 1795) by Chōbunsai Eishi 高清作品[19%]

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Jurojin, from the series ;A Comparison of the Treasures of the Gods of Good Fortune (Fukujin takara awase) (c. 1795) -

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Jurojin,来自系列福津·高原·阿瓦塞与的福神宝藏比较-ōbunsai Eishi

~ Jurojin, from the series ;A Comparison of the Treasures of the Gods of Good Fortune (Fukujin takara awase) (c. 1795) --Chōbunsai Eishi (Japanese, 1756-1829)

443. 研究两个站立的人物,几乎与艺术绘画中的人物相同爱_opusi1915` Studie af to stående figurer, næsten identiske med figurer i kunstnerens maleri Elskov_opus I 1915 (1913 – 1914) by J.A. Jerichau 高清作品[19%]

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Studie af to stående figurer, næsten identiske med figurer i kunstnerens maleri Elskov_opus I 1915 (1913 – 1914) -

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研究两个站立的人物,几乎与艺术绘画中的人物相同爱_opusi1915-J.A.Jerichau

~ Studie af to stående figurer, næsten identiske med figurer i kunstnerens maleri Elskov_opus I 1915 (1913 – 1914) --J.A. Jerichau (丹麦画家, 1816 – 1883)

444. 霍泰,来自系列福津·塔卡拉·阿瓦塞(Fukujin takara awase)和的财宝比较` Hotei, from the series ;Comparison of the Treasures of the Gods of Good Fortune (Fukujin takara awase) (c. 1795) by Chōbunsai Eishi 高清作品[19%]

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Hotei, from the series ;Comparison of the Treasures of the Gods of Good Fortune (Fukujin takara awase) (c. 1795) -

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霍泰,来自系列福津·塔卡拉·阿瓦塞(Fukujin takara awase)和的财宝比较-ōbunsai Eishi

~ Hotei, from the series ;Comparison of the Treasures of the Gods of Good Fortune (Fukujin takara awase) (c. 1795) --Chōbunsai Eishi (Japanese, 1756-1829)

445. 北威尔士兰费尔教堂(Llanfair Church),一篇关于风景画和水彩效果的论文` Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours (ca. 1813) by David Cox 高清作品[19%]

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Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours (ca. 1813) -

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北威尔士兰费尔教堂(Llanfair Church),一篇关于风景画和水彩效果的论文-柯道远

~ Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours (ca. 1813) --David Cox (English, 1783-1859)

447. 艺术作品展上展出伦勃朗雕像的石膏模特` The exhibition of the plaster model of the statue of Rembrandt at the exhibition of works of art by living masters, at the Royal Academy of Art in Amsterdam in 1848. (1851) by living masters, at the Royal Academy of Art in Amsterdam in 1848. by Jan Baptist Tetar van Elven 高清作品[18%]

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The exhibition of the plaster model of the statue of Rembrandt at the exhibition of works of art by living masters, at the Royal Academy of Art in Amsterdam in 1848. (1851) -

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艺术作品展上展出伦勃朗雕像的石膏-活着的大师,1848年在阿姆斯特丹皇家艺术学院。简·施洗者泰塔·范·埃尔文

` The exhibition of the plaster model of the statue of Rembrandt at the exhibition of works of art by living masters, at the Royal Academy of Art in Amsterdam in 1848. (1851) --Jan Baptist Tetar van Elven (荷兰艺术家, 1805-1889)

448. 《当代美女的比较》(Tosei bijin awase)系列中的松下宫女Somenosuke以及侍从Wakagi和Wakaba` The Courtesan Somenosuke of the Matsubaya, and Attendants Wakagi and Wakaba, from the series “A Comparison of Contemporary Beauties (Tosei bijin awase)” (c. 1796~97) by Chokosai Eisho 高清作品[18%]

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The Courtesan Somenosuke of the Matsubaya, and Attendants Wakagi and Wakaba, from the series “A Comparison of Contemporary Beauties (Tosei bijin awase)” (c. 1796~97) -

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《当代美女的比较》(Tosei bijin awase)系列中的松下宫女Somenosuke以及侍从Wakagi和Wakaba-佐井荣雄

~ The Courtesan Somenosuke of the Matsubaya, and Attendants Wakagi and Wakaba, from the series “A Comparison of Contemporary Beauties (Tosei bijin awase)” (c. 1796~97) --Chokosai Eisho (Japanese, Active 1792 - c. 1799)

449. 这是一个艺术寓言,伊希斯和几何学参加了绘画和雕塑的三个头人物,一个给她戴上桂冠的推杆` An Allegory of the Arts with Isis and Geometry Attending the Three~headed Figure of Painting and Sculpture, a Putto Crowning her with Laurels (17th century) by Erasmus Quellinus 高清作品[18%]

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An Allegory of the Arts with Isis and Geometry Attending the Three~headed Figure of Painting and Sculpture, a Putto Crowning her with Laurels (17th century) -

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这是一个艺术寓言,伊希斯和几何学参加了绘画和雕塑的三个头人物,一个给她戴上桂冠的推杆-伊拉斯谟·奎利努斯

~ An Allegory of the Arts with Isis and Geometry Attending the Three~headed Figure of Painting and Sculpture, a Putto Crowning her with Laurels (17th century) --Erasmus Quellinus (Flemish, 1607-1678)