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431. 《罗娜·丽莎——赛博朋克版》（Rona Lisa-Cyberpunk Edition），XVALA（2020）的《油画与油画棒》（Paint and Oil Stick on Canvas） by Xvala 高清作品[14%]

$\'Rona Lisa - Cyberpunk Edition,\' Paint and Oil Stick on Canvas by XVALA (2020) | Available for Sale$

材质 :Iridescent oilstick, metallic paint on canvas 尺寸 :160 × 106.7 × 5.1 cm Painting

《罗娜·丽莎——赛博朋克版》（Rona Lisa-Cyberpunk Edition），XVALA（2020）的《油画与油画棒》（Paint and Oil Stick on Canvas）-十五

英文名称:\'Rona Lisa - Cyberpunk Edition,\' Paint and Oil Stick on Canvas by XVALA (2020) | Available for Sale-Xvala

432. 左手，钢琴家，1910年`Left Hand, Pianist, 1910 by Auguste Rodin 高清作品[14%]

图片文件尺寸: 6226×9000 px

左手，钢琴家，1910年-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
In 1900, the critic Gustave Kahn wrote, \"Rodin is the sculptor of hands, raging, tensed, arched, damned hands\". There is no doubt that Rodin attached more importance to this part of the body than any other. Fascinated by the expressive power of isolated hands, he studied them unceasingly, accumulating in his studio numerous studies in clay or plaster, in which the sensitivity of the modelling vies with the verisimilitude of the gesture.
Through hands, Rodin expresses the full range of human emotions, from anxiety to suffering, from resignation to despair. As revealing as the face, on their own they can sometimes symbolize a form of human activity, such as this Hand of a Pianist which seems to run over an imaginary keyboard with nervous energy.

433. 左手，钢琴家，铜牌`Left Hand, Pianist, Bronze by Auguste Rodin 高清作品[14%]

图片文件尺寸: 6527×6800 px

左手，钢琴家，铜牌-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
In 1900, the critic Gustave Kahn wrote, \"Rodin is the sculptor of hands, raging, tensed, arched, damned hands\". There is no doubt that Rodin attached more importance to this part of the body than any other. Fascinated by the expressive power of isolated hands, he studied them unceasingly, accumulating in his studio numerous studies in clay or plaster, in which the sensitivity of the modelling vies with the verisimilitude of the gesture.
Through hands, Rodin expresses the full range of human emotions, from anxiety to suffering, from resignation to despair. As revealing as the face, on their own they can sometimes symbolize a form of human activity, such as this Hand of a Pianist which seems to run over an imaginary keyboard with nervous energy.