422. 一个由水果和鲜花组成的花环环绕着一幅身着蓝色连衣裙的女士的肖像,她手里拿着卡塔琳娜·伊肯斯(Catarina Ykens)的吉他` A garland of fruit and flowers surrounding a portrait of a lady in a blue dress, holding a guitar by Catarina Ykens 高清作品[11%]

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A garland of fruit and flowers surrounding a portrait of a lady in a blue dress, holding a guitar-

图片文件尺寸: 1952 x 2884px

一个由水果和鲜花组成的花环环绕着一幅身着蓝色连衣裙的女士的肖像,她手里拿着卡塔琳娜·伊肯斯(Catarina Ykens)的吉他-卡塔丽娜·伊肯斯

~ A garland of fruit and flowers surrounding a portrait of a lady in a blue dress, holding a guitar--Catarina Ykens (Flemish, 1659-1736)

425. 一幅骑术肖像画,画的是一名骑兵卫队第1大队的军官,骑在一辆战车上,右边是一名骑兵` An equestrian portrait of an officer of the 1st troop of horse grenadier guards on a bay charger, with a trooper to the right by David Morier 高清作品[11%]

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An equestrian portrait of an officer of the 1st troop of horse grenadier guards on a bay charger, with a trooper to the right-

图片文件尺寸: 2913 x 3660px

一幅骑术肖像画,画的是一名骑兵卫队第1大队的军官,骑在一辆战车上,右边是一名骑兵-大卫·莫里尔

` An equestrian portrait of an officer of the 1st troop of horse grenadier guards on a bay charger, with a trooper to the right--David Morier (瑞士画家, 1705–1770)

426. 一幅头像的研究三位一体和圣徒围绕着基督的圣心和圣母玛利亚,下面是海岸景观` A Study for a Frontispiece; The Trinity and Saints surrounding the Sacred Hearts of Christ and the Virgin Mary, a Coastal Landscape Below (1743–79) by Vitus Felix Rigl 高清作品[11%]

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A Study for a Frontispiece; The Trinity and Saints surrounding the Sacred Hearts of Christ and the Virgin Mary, a Coastal Landscape Below (1743–79) -

图片文件尺寸: 2594 x 3770px

一幅头像的研究三位一体和圣徒围绕着基督的圣心和圣母玛利亚,下面是海岸景观-黄荆

~ A Study for a Frontispiece; The Trinity and Saints surrounding the Sacred Hearts of Christ and the Virgin Mary, a Coastal Landscape Below (1743–79) --Vitus Felix Rigl (德国艺术家, c. 1717-1779)

427. 壁画#1002:Splat,第一幅由:玛拉·贝瑞、布莱恩·艾琳、德克·李、托尼·马特洛克、诺埃琳·佩波斯、卡罗琳·彼得斯、大卫·斯沃德、詹妮弗·赖夫斯奈德、艾米莉·里普利、埃德加·史密斯、卡娅·维洛波尔斯基;第一部装置:罗伊和苏珊·奥康纳,密苏里州克林顿;2001年10月 by Sol LeWitt 高清作品[11%]

Wall Drawing #1002: Splat, First drawn by: Myra Berry, Brian Elling, Dirk Lee, Toni Matlock, Noellyn Pepos, Caroline Peters, David Pledge, Jennifer Reifsneider, Emily Ripley, Edgar Smith, Kaya Wielopolski; First installation: Roy and Susan O\'Conner, Clinton, MO; October 2001

材质 :Acrylic paint 尺寸 :Paula Cooper Gallery Installation

图片文件尺寸 : 5630 x 4332px

壁画#1002:Splat,第一幅由:玛拉·贝瑞、布莱恩·艾琳、德克·李、托尼·马特洛克、诺埃琳·佩波斯、卡罗琳·彼得斯、大卫·斯沃德、詹妮弗·赖夫斯奈德、艾米莉·里普利、埃德加·史密斯、卡娅·维洛波尔斯基;第一部装置:罗伊和苏珊·奥康纳,密苏里州克林顿;2001年10月-索尔·莱维特(American, 1928–2007)

英文名称:Wall Drawing #1002: Splat, First drawn by: Myra Berry, Brian Elling, Dirk Lee, Toni Matlock, Noellyn Pepos, Caroline Peters, David Pledge, Jennifer Reifsneider, Emily Ripley, Edgar Smith, Kaya Wielopolski; First installation: Roy and Susan O\'Conner, Clinton, MO; October 2001-Sol LeWitt

428. 在l\'039号发现的一幅古画的碎片1689年,在圣塞巴斯蒂亚诺门外的一座维吉纳教堂,与多明·库瓦迪斯对面。` Frammento di una pittura antica soperto lanno 1689 in una vigina fuori della porta San Sebastiano dirincontro Domine quo vadis. (1783) by Pierre-Jean Mariette 高清作品[11%]

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Frammento di una pittura antica soperto lanno 1689 in una vigina fuori della porta San Sebastiano dirincontro Domine quo vadis. (1783) -

图片文件尺寸: 3808 x 2224px

在l\'039号发现的一幅古画的碎片1689年,在圣塞巴斯蒂亚诺门外的一座维吉纳教堂,与多明·库瓦迪斯对面。-皮埃尔·让·马里特

~ Frammento di una pittura antica soperto lanno 1689 in una vigina fuori della porta San Sebastiano dirincontro Domine quo vadis. (1783) --Pierre-Jean Mariette (法国艺术家, 1694-1774)