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失望的新娘河野发现丑陋的新郎不是她答应嫁给的人，便逃跑了-筑冈义

~ Disappointed Bride; Kono Flees Upon Discovering That the Ugly Bridegroom Is Not Whom She Promised to Marry (1879) --Tsukioka Yoshitoshi (Japanese, 1839-1892)

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我想在原则上死一个奴隶，而不是男人

~ I want to die a slave to principles and not to men = Quiero morir un esclavo a los principios y no de los hombres-

材质 :Colour pigments in easycast resin, epoxyglass, on Perspex 尺寸 :200 × 180 cm Painting

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他曾在悉尼的大多数商业画廊工作过，在仓库的后面发现过几次，但在2000，他告诉我这并不奇怪，这只是Margaret Olley和Vivienne Binns在他的手机画上的照片，而不是他周围的废话，2021。-戴尔·弗兰克(Australian, b. 1959)

英文名称:He has worked for most of the commercial galleries in Sydney and has been found more than a few times masterbating in the back of stockrooms but in 2000 he told me it was not weird, it was only to pictures on his phone of paintings by Margaret Olley and Vivienne Binns, not the crap around him, 2021-Dale Frank

材质 :Colour and metallic pigments, black aluminium, acrylic in easycast resin, epoxyglass, on perspex 尺寸 :200 × 180 cm Painting

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虽然现在离开了这个行业，但她一生都在悉尼的三个商业画廊工作过，有三个孩子，每一个都是来自每个画廊的艺术家，但是哀叹这一事实，而不是三个小狗屎中没有一个会去看她或关心她，2021。-戴尔·弗兰克(Australian, b. 1959)

英文名称:Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021-Dale Frank

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佛兰芒学校的一幅静物画，画的是一只鸣禽、一只孔雀和一只兔子站在窗台上，还有一个南瓜、一个卷心菜、一个花椰菜、芹菜、蘑菇和葡萄-佛兰德学校

~ A Still Life Of Song Birds, A Peacock And Rabbits On A Ledge With A Pumpkin, A Cabbage, A Cauliflower, Celery, Mushrooms And Grapes (17th Century) --Flemish School

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《贫民窟的小尼莫》我不知道我不喜欢这一点点#你不是一点点-温瑟·麦凯

~ Little Nemo in Slumberland – I dont like this one little tiny bit_not one tiny weenie bit (1906) --Winsor McCay (美国艺术家, 1869-1934)

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曼森！希娜·E！Man Sen Shina No KenkyāWa Sh bi No Kyı，而不是Hyakubun是埃及-玛雅玛·Kōji

~ Man~Sen E! Shina E!; Man~Sen Shina No Kenkyū Wa Shūbi No Kyū, Ikken Wa Hyakubun Ni Masaru (1922) --Mayama Kōji (Japanese, 19th/20th Century)

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼（Penelope Whitney）回忆道：“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视；女孩和女人通常只被视为性对象，而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特（Charley Parkhurst，又名独眼查理）的故事。在淘金热期间，帕克赫斯特是一名著名的驿站马车司机，他去世后，人们发现帕克赫斯特在生物学上是女性。（2018年）-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu