427. 朱利安(Julien)以东方为灵感创作彩绘丝绸嵌板,是18世纪“中国风”品味一个杰出早期范例。普林西比别墅,安德里亚·多里亚宫,私人公寓(意大利热那亚)(2016年) by Julien Spiewak 高清作品[28%]

材质 :Argentic print 尺寸 :70 × 50 cm Photography

朱利安(Julien)以东方为灵感创作彩绘丝绸嵌板,是18世纪“中国风”品味一个杰出早期范例。普林西比别墅,安德里亚·多里亚宫,私人公寓(意大利热那亚)(2016年)-朱利安·斯皮瓦克(French, b. 1984)

英文名称:Painted silk panel inspired by the Orient, a magnificent early example of taste for the \\\"chinoiseries\\\" of the 18th century, Julien. Villa del Principe, Palace of Andrea Doria, private apartments (Genoa, Italy) (2016)-Julien Spiewak

428. 弗雷德里克·克拉斯父子(FREDERICK CRACE&SON,约1845年)创作一张罕见维多利亚时代早期伊丽莎白复兴时期缎木、多色和镀金写字台 by Frederick Crace & Son 高清作品[27%]

A RARE EARLY VICTORIAN ELIZABETHAN-REVIVAL SATINWOOD, POLYCHROME AND GILT WRITING-TABLE ATTRIBUTED TO FREDERICK CRACE & SON (ca. 1845)

材质 :Satinwood, polychrome, gilt 尺寸 :76.2 × 121.9 × 62.2 cm Design\\\\u002FDecorative Art

弗雷德里克·克拉斯父子(FREDERICK CRACE&SON,约1845年)创作一张罕见维多利亚时代早期伊丽莎白复兴时期缎木、多色和镀金写字台-弗雷德里克·克雷斯;声音

英文名称:A RARE EARLY VICTORIAN ELIZABETHAN-REVIVAL SATINWOOD, POLYCHROME AND GILT WRITING-TABLE ATTRIBUTED TO FREDERICK CRACE & SON (ca. 1845)-Frederick Crace & Son

429. 思想者》,1880年`The Thinker, 1880 by Auguste Rodin 高清作品[27%]

AF-The Thinker, 1880

图片文件尺寸: 4234×6300 px

思想者》,1880年-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
Rodin originally conceived The Thinker as a depiction of the Italian poet Dante Alighieri (1265–1321) sitting in the upper center of a monumental sculptural doorway titled The Gates of Hell (below). Inspired by Dante’s description of a journey through the underworld in his epic poem The Divine Comedy (about 1320), The Thinker contemplates mankind’s fate while gazing at a host of damned figures writhing in anguish below. Stripped of clothing, the figure’s rippling muscles convey an inner, animating life force symbolic of mental activity or creative effort. The figure leans forward, as if ready to spring from his perch, yet seems simultaneously caught in the inaction of deep thought. Rodin produced independent versions of The Thinker, first in this original size and later in a monumental version.