图片文件尺寸: 2319 x 3032px
这位艺术家的第二任妻子安娜·约瑟法·特蕾西亚·布拉杰-约翰·巴普蒂斯特·雷特
~ The Artist’s Second Wife, Anna Josefa Theresia Brajer (1873) --Johann Baptist Reiter (奥地利艺术家, 1813–1890)
材质 :3 volumes, large folio (600 x 427 mm). Contemporary green morocco binding by John Adlard of London (his stamp to first front free endpaper), spines lettered in gilt, compartments and covers elaborately blocked in gilt, wide gilt turn-ins, marbled endpapers, gilt edges. Tinted lithograph portrait of Roberts by C. Baugniet, three tinted lithographed vignette title pages (one of which is duplicated, see below), and 120 tinted lithographed plates, each with guards. 尺寸 :60 × 42.7 cm Books and Portfolios
圣地、叙利亚、伊杜梅亚、阿拉伯、埃及和努比亚。根据现场绘制的图纸。由Revd提供历史描述。乔治·克罗利。D.路易·哈格(1842-1845)的平版画-大卫·罗伯茨(1796-1864)(British, 1796–1864)
英文名称:The Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia. From drawings made on the spot. With historical descriptions by the Revd. George Croly, LL.D. Lithographed by Louis Haghe (1842-1845) | Available for Sale-David Roberts (1796-1864)
材质 :Argentic print 尺寸 :70 × 50 cm Photography
朱利安(Julien)以东方为灵感创作的彩绘丝绸嵌板,是18世纪“中国风”品味的一个杰出早期范例。普林西比别墅,安德里亚·多里亚宫,私人公寓(意大利热那亚)(2016年)-朱利安·斯皮瓦克(French, b. 1984)
英文名称:Painted silk panel inspired by the Orient, a magnificent early example of taste for the \\\"chinoiseries\\\" of the 18th century, Julien. Villa del Principe, Palace of Andrea Doria, private apartments (Genoa, Italy) (2016)-Julien Spiewak
材质 :Acrylic and enamel paint, color pigment, ink on Aluminum di-bond 尺寸 :243.8 × 182.9 cm Painting
图片文件尺寸 : 5630 x 4332px
当亚北极风切变毫无预警地袭来时,紧急危机信标忽明忽暗。高海拔塔台的通信操作员向下层技术人员发出紧急警告信息,以掩护并为最终恢复做好准备。,2014-内森·卡特(American, b. 1970)
英文名称:Emergency crisis beacons flashed on and off when the sub-arctic wind shear struck without warning. Communications operators in the high altitude towers issued urgent warning messages to the lower level technicians to take cover and prepare for eventual recovery., 2014-Nathan Carter
图片文件尺寸: 6400×4969 px
美丽的安提亚带领她的同伴进入以弗所的戴安娜神庙-约瑟夫·佩林克
-In The Fair Anthia Joseph Paelinck depicts an episode in an ancient Greek tale. During a parade in the temple of Artemis in Ephesus the proud warrior Abrocomeus met the beautiful Anthia. Eros, the god of love, was vexed by Abrocomeuss indifference and contrived to make him fall passionately in love with the young woman. They married, but Eross revenge continued to persecute them. They were kidnapped by pirates, sold as slaves, separated from one another but eventually their love and fidelity helped them overcome their trials and tribulations. The story lends itself perfectly to propagating the nineteenth-century bourgeois moral values. The painting depicts the parade with Anthia in the centre and Abrocomeus to the right in his red coat. The theme, the balanced composition and the careful rendition contribute to making this painting an excellent example of the Classic ideal of Paelinck and other followers of Jacques-Louis David.