材质 :Oil and acrylic on canvas 尺寸 :220 × 170 cm Painting

图片=L（ICH）T ThePsychedelic Philosopy，2018水粉公司（2018）-菲利普·施瓦布(German, b. 1984)

英文名称:Bild= L(ICH)T = Psychedelic PHILosopfy, 2018 Gouache, inc (2018)-Philipp Schwalb

Saturn devouring one of his sons, after Francisco de Goya (Pictures of Junk)-Vik-Muniz
（土星吞噬了他的一个儿子，在弗朗西斯科·德戈亚之后（垃圾图片）-维克·穆尼斯）

Picture on the Palette-Zdenék-Sklenár
（调色板上的图片-Zdenék-Sklenár）

材质 :Silver print 尺寸 :40.6 × 30.5 cm Photography

无标题，摘自《哈瓦那图片随笔档案》，拉哈瓦那（1992年）-佩德罗·阿巴斯卡尔

英文名称:Untitled , from the photo essay Dossier Habana, La Habana (1992) | Available for Sale-Pedro Abascal

材质 :Wooden panel ,paper , paint , acrylic , oil pastel 尺寸 :210 × 90 × 3.5 cm Painting

1000张1000张图片的故事（2016年2月15日）-Sadaharu Horio 堀尾 貞治

英文名称:A Tale of 1000 GO 1000 Pictures (15.2.2016) | Available for Sale-Sadaharu Horio 堀尾 貞治

图片文件尺寸: 9500×3383 px

祝福天王的主人-俄罗斯偶像

-Blessed Be the Host of the Heavenly Tsar, also known as the Ecclesia militans (\'The Church Militant\'), is a grand Russian Orthodox icon commemorating the conquest of Kazan by Ivan IV of Russia. The icon shows Ivan the Terrible as he follows the Archangel Michael in leading the triumphant Russian troops away from the conquered city in flames (symbolising both Kazan\' and Sodom). In the top left corner of the icon the Mother of God with the infant Jesus is shown seated outside the heavenly gate of Jerusalem (symbolising the city of Moscow) and distributing crowns to messenger angels who proceed to reward the martyrs of Ivan\'s army.

图片文件尺寸: 3263 x 3127px

基督祝福孩子们-谢谢司机

~ Kristus velsigner de små børn (1840 – 1849) --Dankvart Dreyer (丹麦画家, 1816 – 1852)

图片文件尺寸 : 3210 x 3507px

红衣主教祝福教堂门口的乞丐-威廉·马斯特兰德

~ Cardinal blessing beggars at the church doors--Wilhelm Marstrand (Danish, 1810-1873)

图片文件尺寸: 2813 x 3508px

和平祝福的寓言-海因里希·弗里德里希·弗格

` Allegory of the Blessings of Peace (1814) --Heinrich Friedrich Füger (德国艺术家, 1751-1818)

图片文件尺寸: 8000×6752 px

圣诞夜，牛的祝福，1902-1903-保罗·高更

-Eugène Henri Paul Gauguin (1848-1903) was a 法国艺术家 Post-Impressionist artist.
This enigmatic view of a winter night in Brittany demonstrates Gauguin’s ability to combine different sources of inspiration into one composition. The steeple and snow-covered cottages depict sites in Pont-Aven, yet the women wear the dark caps of another village, called Le Pouldu. The oxen are based on Egyptian tomb sculpture, while the figures in the shrine derive from photographs Gauguin owned of a frieze in Java.
Christmas Night (The Blessing of the Oxen), 1902-1903 (Oil on Canvas), by Paul Gauguin