405. 给刽子手的裸体素描，画上有斧头（recto）和石头（verso）圣马提亚殉道` Nude sketch to the executioner with an axe (recto) and a stone (verso) to the painting ;Martyrdom of St. Matthias (1866~1867) by Józef Simmler 高清作品[14%]

` Nude sketch to the executioner with an axe (recto) and a stone (verso) to the painting ;Martyrdom of St. Matthias (1866`1867) -

图片文件尺寸: 3020 x 4000px

给刽子手的裸体素描，画上有斧头（recto）和石头（verso）圣马提亚殉道-Józef Simmler

` Nude sketch to the executioner with an axe (recto) and a stone (verso) to the painting ;Martyrdom of St. Matthias (1866`1867) --Józef Simmler (波兰画家, 1823-1868)

406. 给刽子手的裸体素描，画上有斧头（recto）和石头（verso）圣马提亚殉道` Nude sketch to the executioner with an axe (recto) and a stone (verso) to the painting Martyrdom of St. Matthias (1866~1867) by Józef Simmler 高清作品[14%]

~ Nude sketch to the executioner with an axe (recto) and a stone (verso) to the painting Martyrdom of St. Matthias (1866~1867) -

图片文件尺寸: 3020 x 4000px

给刽子手的裸体素描，画上有斧头（recto）和石头（verso）圣马提亚殉道-Józef Simmler

~ Nude sketch to the executioner with an axe (recto) and a stone (verso) to the painting Martyrdom of St. Matthias (1866~1867) --Józef Simmler (波兰画家, 1823-1868)

408. 裸体素描和头巾中的头部研究，为阿利马提亚的约瑟夫肖像画#安葬` Nude sketch and study of the head in a turban for the figure of Joseph of Arimathea to the painting ;Entombment (1850) by Józef Simmler 高清作品[13%]

~ Nude sketch and study of the head in a turban for the figure of Joseph of Arimathea to the painting ;Entombment (1850) -

图片文件尺寸: 2736 x 3832px

裸体素描和头巾中的头部研究，为阿利马提亚的约瑟夫肖像画#安葬-Józef Simmler

~ Nude sketch and study of the head in a turban for the figure of Joseph of Arimathea to the painting ;Entombment (1850) --Józef Simmler (波兰画家, 1823-1868)

409. 裸体素描和头巾中的头部研究，为阿利马提亚的约瑟夫肖像画安葬` Nude sketch and study of the head in a turban for the figure of Joseph of Arimathea to the painting Entombment (1850) by Józef Simmler 高清作品[13%]

~ Nude sketch and study of the head in a turban for the figure of Joseph of Arimathea to the painting Entombment (1850) -

图片文件尺寸: 2736 x 3832px

裸体素描和头巾中的头部研究，为阿利马提亚的约瑟夫肖像画安葬-Józef Simmler

~ Nude sketch and study of the head in a turban for the figure of Joseph of Arimathea to the painting Entombment (1850) --Józef Simmler (波兰画家, 1823-1868)

410. 先知皮提亚`The Oracle, Pythia by Camillo Miola 高清作品[13%]

AF-The Oracle, Pythia

图片文件尺寸: 3408×7200 px

先知皮提亚-卡米洛·米奥拉

-The Pythia, a virgin from the local village selected in ceremonies that established her as Apollo\'s choice, sits atop the sacred tripod as the Delphic oracle. To the left is the omphalos, the most sacred object at Delphi, regarded as the center of the earth. A plinth on the right bears an inscription describing Apollo\'s conquest of Delphi with the Cretans, who became his first priests.
The prophetess went to the tripod on the sacred seventh day of each month, the day of Apollo\'s birth, nine months of the year, to await the god\'s inspiration; her inspired utterances were later interpreted by a priest. The ancient Greeks considered the Delphic oracle--both Apollo\'s divine prophecy and the prophetess through whom it was spoken--the final authority on almost any matter, whether religious, political, or social.
Camillo Miola merged academic and classical traditions to construct his view of the classical past. He filled the canvas with seemingly archaeologically accurate costume, architecture, and furnishings, and painted in a highly detailed style to create an ancient world that appears fully real.

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