406. 有时我会听无害的独立音乐,但我永远不知道它如何影响我的非洲身份,2012年 by Rowan Smith 高清作品[8%]

Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012

材质 :Gouache on Strathmore Watercolour paper 尺寸 :76.2 × 55.6 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

有时我会听无害的独立音乐,但我永远不知道它如何影响我的非洲身份,2012年-罗恩·史密斯。(South African, b. 1983)

英文名称:Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012-Rowan Smith

407. 如何不画椅子》(向约翰·巴尔德萨里致敬),7只沙鼠(Abracadabra系列)(2020年和2013年) by Kim MacConnel 高清作品[8%]

How Not To Paint A Chair (Homage to John Baldessari), 7 Gerbil (Abracadabra Series) (2020 and 2013)

材质 :Painted armchair and enamel on wood panel 尺寸 :Related artists Mixed Media

如何不画椅子》(向约翰·巴尔德萨里致敬),7只沙鼠(Abracadabra系列)(2020年和2013年)-金·麦克康奈尔

英文名称:How Not To Paint A Chair (Homage to John Baldessari), 7 Gerbil (Abracadabra Series) (2020 and 2013)-Kim MacConnel

408. 《仙女小伙》大师级的笔触,1855-1864年`The Fairy Feller\'s Master-Stroke, 1855-1864 by Richard Dadd 高清作品[8%]

AF-The Fairy Feller\'s Master-Stroke, 1855-1864

图片文件尺寸 : 3731×5500 px

《仙女小伙》大师级的笔触,1855-1864年-理查德·达德

-Richard Dadd (1817-1886) was an English painter of the Victorian era, noted for his depictions of fairies and other supernatural subjects, Orientalist scenes, and enigmatic genre scenes, rendered with obsessively minuscule detail.

The Fairy Feller\'s Master-Stroke, 1855-1864 (Oil on Canvas), by Richard Dadd