391. 让·巴赞的六部作品，古斯塔夫·辛吉尔的一部作品，阿尔弗雷德·马内西尔的一部作品 - JEAN-BAZAINE，-ALFRED-ALFRED-MANESSIER-&amp-古斯塔夫·辛格 高清作品[15%]

Six oeuvres de Jean Bazaine, une oeuvre de Gustave Singier et une oeuvre d\'Alfred Manessier

  • Six oeuvres de Jean Bazaine, une oeuvre de Gustave Singier et une oeuvre d\'Alfred Manessier
  • (i) Compositionsigned with the artist\'s initials and dated 81gouache, colour pencil and wax pencil on paper10,5 x 17,5 cm; 4  1/8  x 6  7/8  in.Executed in 1981. (ii) Compositionsigned and dedicated Pour Janine & Marcel Arland, leur ami Bazaineink on paper17,3 x 27 cm; 6  13/16  x 10  5/8  in. (iii) L\'hiver à Pernandsigned and dated 1951gouache and pencil on paper11,2 x 30 cm; 4  7/16  x 11  13/16  in.Executed in 1951. (iv) Compositionsigned with the artist\'s initials and dated 81gouache, colour pencil and wax pencil on paper10,5 x 17,5 cm; 4  1/8  x 6  7/8  in.Executed in 1981. (v) Untitledsigned, dated 59 and dedicated Pour Janine & Marcel Arland22,7 x 31,6 cm; 11  13/16  x 12  7/16  inink and etching on paperExecuted in 1959. (vi) Neigesigned and dated 59ink and gouache on paper6,5 x 20 cm; 2  9/16  x 7  7/8  inExecuted in 1959. (vii) Compositiontitled and dated 1946; signed on the reverseink on paper31 x 22,2 cm; 12  3/16  x 8  3/4  in.Executed in 1946. (viii) Saint-Dominique miracle des painssigned, titled and dated 46 IVink and pencil on paper32,5 x 25 cm; 12  13/16  x 9  13/16  in.Executed in 1946.
  • Encre, crayon, aquarelle, gouache

    • Six oeuvres de Jean Bazaine, une oeuvre de Gustave Singier et une oeuvre d\'Alfred Manessier-JEAN-BAZAINE,-ALFRED-ALFRED-MANESSIER-&-GUSTAVE-SINGIER
    （让·巴赞的六部作品，古斯塔夫·辛吉尔的一部作品，阿尔弗雷德·马内西尔的一部作品-JEAN-BAZAINE，-ALFRED-ALFRED-MANESSIER-&amp-古斯塔夫·辛格）

    393. 《黑聊天之旅》海报`Poster for the tour of Le Chat Noir by Theophile Alexandre Steinlen 高清作品[15%]

    AF-Poster for the tour of Le Chat Noir

    图片文件尺寸: 4871×7507 px

    《黑聊天之旅》海报-提奥菲勒·亚历山大·斯坦伦

    -The Parisian nightclub, Le Chat Noir was an absolute hotbed for the fin-de-siecle literary and artistic avant-garde, including many printmakers. In particular, the shadow theatre performed there inspired their quest for a modern style.
    Le Chat Noir grew so popular after a few years that it moved to larger premises, marking the event with a bombastic procession. Bohemians and bourgeoisie alike flocked from near and far to the colourful medieval-inspired interior to watch performances of the shadow theatre. When these were taken on tour, Theophile-Alexandre Steinlen designed the poster with the black cat as an advertisement. The image went on to become the icon of printmaking and the culture of entertainment in the fin de siecle.

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