A CHINESE BLUE AND WHITE PORCELAIN EWER WITH CONTINENTAL SILVER-GILT MOUNT, MID 17TH CENTURY-A-CHINESE-BLUE-AND-WHITE-PORCELAIN-EWER-WITH-CONTINENTAL-SILVER-GILT-MOUNT-MID-17TH-CENTURY
(17世纪中期,一只带有大陆镀银底座的中国青花瓷壶-中国青花瓷水壶大陆银镀金山17世纪中期)
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纽曼中国的路演`
Newmanns Road Show 高清作品[28%]
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纽曼中国的路演`
Newmanns Road Show 高清作品[28%]
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中国组织上的粉红色裸体 - 三余 高清作品[28%]
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精致的中国风II - 5400×7200px 高清作品[28%]
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精致的中国风I - 5400×7200px 高清作品[28%]
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精致的中国风IIi - 5400×7200px 高清作品[28%]
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中国花瓶里的花束 - 7200×9000px 高清作品[28%]
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Enso悬挂卷轴`Enso Hanging scroll by Yoshinari 高清作品[28%]
图片文件尺寸: 2223×4500 px
Enso悬挂卷轴-吉纳里
-Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.