395. 《草地上的午餐:在我意识到奥德琳对她的话赋予了不同的含义(2017)之前,我是如何认为奥德琳想让我给她画画的 by Phil Rabovsky 高清作品[18%]

Luncheon on the Grass: How I Thought Audrine Wanted Me to Paint Her Before I Realized She Attached Different Meanings to Her Words (2017) | Available for Sale

材质 :Oil, acrylic, and silkscreen on canvas; plants 尺寸 :About the work Painting

《草地上的午餐:在我意识到奥德琳对她的话赋予了不同的含义(2017)之前,我是如何认为奥德琳想让我给她画画的-菲尔·拉博夫斯基

英文名称:Luncheon on the Grass: How I Thought Audrine Wanted Me to Paint Her Before I Realized She Attached Different Meanings to Her Words (2017) | Available for Sale-Phil Rabovsky

396. 2021,铁幕、室内设计和遭遇的极端,或者,一项关于如何在墙体倒塌后根据国家意识形态装置的平均平方英尺变成灯泡的人类技术水平考古学 by objet A.D 高清作品[18%]

Iron Curtains, Interior Designs, and the Extremities of the Encounter—or, a Horizontal Archaeology of Human Technologies of How to Change to a Light Bulb Based On The Average Square Footage Of State Ideological Apparatuses After The Fall Of A Wall, 2021

材质 :Charcoal and Oil-stick on Paper 尺寸 :35.6 × 27.9 cm Drawing, Collage or other Work on Paper

2021,铁幕、室内设计和遭遇的极端,或者,一项关于如何在墙体倒塌后根据国家意识形态装置的平均平方英尺变成灯泡的人类技术水平考古学-目标A.D()

英文名称:Iron Curtains, Interior Designs, and the Extremities of the Encounter—or, a Horizontal Archaeology of Human Technologies of How to Change to a Light Bulb Based On The Average Square Footage Of State Ideological Apparatuses After The Fall Of A Wall, 2021-objet A.D

399. 《盆景——微观世界宏观世界》中的“4020”(《盆景——微观世界宏观世界》中的“4018”) by Yamamoto Masao 高清作品[18%]

\'4020\' from \'Bonsai – Microcosms Macrocosms\' (\'4018\' from \'Bonsai – Microcosms Macrocosms\') | Available for Sale

材质 :Gelatin silver print 尺寸 :25.1 × 32.8 cm Photography

《盆景——微观世界宏观世界》中的“4020”(《盆景——微观世界宏观世界》中的“4018”)-山本正雄

英文名称:\'4020\' from \'Bonsai – Microcosms Macrocosms\' (\'4018\' from \'Bonsai – Microcosms Macrocosms\') | Available for Sale-Yamamoto Masao