图片文件尺寸: 4967×10000 px
安吉尔,军团的耐克-贾切克·马尔切夫斯基先生
-Nike of the Legions, 1916 (Oil on Canvas), by Jacek Malczewski
材质 :Gouache, ink, colored pencil, graphite, water-based spray paint, pastel on Fabriano Murillo paper 尺寸 :200 × 140 cm Painting
图片文件尺寸 : 5630 x 4332px
Kehmatel(核裂变):产生的碎片不是同一种元素,产生的元素的总结合能是自发衰变的自然形式…。,2017-丹妮尔·特盖德(American, b. 1971)
英文名称:Kehmatel (nuclear fission): the resulting fragments are not the same element and the total binding energy of the resulting elements is a natural form of spontaneous decay…., 2017-Dannielle Tegeder
图片文件尺寸: 5532×7500 px
Samothreace的飞翼胜利,Samothreace的耐克-希腊艺术
-The Winged Victory of Samothrace, also called the Nike of Samothrace, is a marble Hellenistic sculpture of Nike (the Greek goddess of victory), that was created in about the 2nd century BC. Since 1883, it has been prominently displayed at the Louvre and is one of the most celebrated sculptures in the world. H. W. Janson described it as \"the greatest masterpiece of Hellenistic sculpture\".
The winged goddess of Victory standing on the prow of a ship overlooked the Sanctuary of the Great Gods on the island of Samothrace. This monument was probably an ex-voto offered by the people of Rhodes in commemoration of a naval victory in the early second century BC. The theatrical stance, vigorous movement, and billowing drapery of this Hellenistic sculpture are combined with references to the Classical period-prefiguring the baroque aestheticism of the Pergamene sculptors.
图片文件尺寸: 5532×7500 px
Samothreace的胜利,Samothreace的耐克-希腊艺术
-The Winged Victory of Samothrace, also called the Nike of Samothrace, is a marble Hellenistic sculpture of Nike (the Greek goddess of victory), that was created in about the 2nd century BC. Since 1883, it has been prominently displayed at the Louvre and is one of the most celebrated sculptures in the world. H. W. Janson described it as \"the greatest masterpiece of Hellenistic sculpture\".
The winged goddess of Victory standing on the prow of a ship overlooked the Sanctuary of the Great Gods on the island of Samothrace. This monument was probably an ex-voto offered by the people of Rhodes in commemoration of a naval victory in the early second century BC. The theatrical stance, vigorous movement, and billowing drapery of this Hellenistic sculpture are combined with references to the Classical period-prefiguring the baroque aestheticism of the Pergamene sculptors.