31. 1750年h1808,巴塞洛缪斯·巴比尔斯(Bartholomeus Barbiers)和两名男子在水泵旁的广告牌前` Landschap met twee mannen bij een aanplakbord bij een waterpomp, Bartholomeus Barbiers, after c. 1750 – 1808 by Bartholomeus Barbiers 高清作品[19%]

~
Landschap met twee mannen <em>b</em>ij een aanplak<em>b</em>ord <em>b</em>ij een waterpomp, <em>B</em>artholomeus <em>B</em>ar<em>b</em>iers, after c. 1750 – 1808-

图片文件尺寸: 4714 x 5774px

1750年h1808,巴塞洛缪斯·巴比尔斯(Bartholomeus Barbiers)和两名男子在水泵旁的广告牌前-巴塞洛缪斯巴比尔斯

~ Landschap met twee mannen bij een aanplakbord bij een waterpomp, Bartholomeus Barbiers, after c. 1750 – 1808--Bartholomeus Barbiers (荷兰艺术家, 1743-1808)

35. 一名男子左臂下夹着一本大书或一个箱子,右臂下夹着一根棍子着的景观` Back View of a Man Standing with a Large Book or Case under his Left Arm and a Stick under his Right Arm by Henry William Bunbury 高清作品[18%]

~
<em>B</em>ack View of a Man Standing with a Large <em>B</em>ook or Case under his Left Arm and a Stick under his Right Arm-

图片文件尺寸: 2333 x 3271px

一名男子左臂下夹着一本大书或一个箱子,右臂下夹着一根棍子着的视图-亨利·威廉·班伯里

~ Back View of a Man Standing with a Large Book or Case under his Left Arm and a Stick under his Right Arm--Henry William Bunbury

36. 1929年巴塞罗那世界博览会德国馆,建筑师密斯·范德罗(Mies van der Rohe)用乔治·科尔贝(Georg Kolbe)的青铜雕塑。最初的展馆被装载一艘从未达目的地的船上(2013年) by Narelle Jubelin 高清作品[18%]

German Pavilion for the 1929 <em>B</em>arcelona World’s Fair, architect Mies van der Rohe with <em>b</em>ronze sculpture <em>b</em>y Georg Kol<em>b</em>e. The original pavilion was loaded onto a ship that never reached its destination (2013)

材质 :Cotton on silk petit point 尺寸 :11.2 × 15.5 × 2.7 cm Other

1929年巴塞罗那世界博览会德国馆,建筑师密斯·范德罗(Mies van der Rohe)用乔治·科尔贝(Georg Kolbe)的青铜雕塑。最初的展馆被装载一艘从未达目的地的船上(2013年)-纳雷尔·朱伯林(Australian, b. 1960)

英文名称:German Pavilion for the 1929 Barcelona World’s Fair, architect Mies van der Rohe with bronze sculpture by Georg Kolbe. The original pavilion was loaded onto a ship that never reached its destination (2013)-Narelle Jubelin

37. 探索真理;花球(3D)-变成红色!;花球(3D)-红色、粉色、蓝色;花球(3D)-纸草;花球(3D)-蓝色、红色;毕加索思想;这个世界上没有永恒的东西。这就是你美丽的原因;嘿你你能感受我的感受吗?;花球(3D)-红色球;了解2013-2015年的第51维度 by Takashi Murakami 高清作品[18%]

Groping for the Truth; Flower<em>b</em>all (3D) – Turn Red!; Flower<em>b</em>all (3D) – Red, Pink, <em>B</em>lue; Flower<em>b</em>all (3D) – Papyrus; Flower<em>b</em>all (3D) – <em>B</em>lue, Red; Thoughts on Picasso; There is Nothing Eternal in this World. That is Why You are <em>B</em>eautiful; Hey! You! Do You Feel What I Feel?; Flower<em>b</em>all (3D) – Red <em>B</em>all; and Comprehending the 51st Dimension, 2013-2015

材质 :Lithographs in colours, on smooth wove paper 尺寸 :71 × 71 cm Print

图片文件尺寸 : 5630 x 4332px

探索真理;花球(3D)-变成红色!;花球(3D)-红色、粉色、蓝色;花球(3D)-纸草;花球(3D)-蓝色、红色;毕加索思想;这个世界上没有永恒的东西。这就是你美丽的原因;嘿你你能感受我的感受吗?;花球(3D)-红色球;了解2013-2015年的第51维度-村上隆(Japanese, b. 1962)

英文名称:Groping for the Truth; Flowerball (3D) – Turn Red!; Flowerball (3D) – Red, Pink, Blue; Flowerball (3D) – Papyrus; Flowerball (3D) – Blue, Red; Thoughts on Picasso; There is Nothing Eternal in this World. That is Why You are Beautiful; Hey! You! Do You Feel What I Feel?; Flowerball (3D) – Red Ball; and Comprehending the 51st Dimension, 2013-2015-Takashi Murakami

38. “Eli Chi自称为非二元transmasculine,来自一个从古巴移民美国的中国家庭。他是Tender Bois Club的创始人之一,这是一家音乐制作公司,塑造了他希望在世界上看的那种温柔、有创意、相互关联的男性气质。(2019年) by Jamil Hellu 高清作品[18%]

“Self-identified as non-<em>b</em>inary transmasculine, Eli Chi comes from a Chinese family who immigrated to the United States from Cu<em>b</em>a. He’s one of the founders of the Tender <em>B</em>ois Clu<em>b</em>, a music production house modeling the kind of tender, creative, and connected masculinity he wishes to see in the world. (2019) | Availa<em>b</em>le for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

“Eli Chi自称为非二元transmasculine,来自一个从古巴移民美国的中国家庭。他是Tender Bois Club的创始人之一,这是一家音乐制作公司,塑造了他希望在世界上看的那种温柔、有创意、相互关联的男性气质。(2019年)-Jamil灯

英文名称:“Self-identified as non-binary transmasculine, Eli Chi comes from a Chinese family who immigrated to the United States from Cuba. He’s one of the founders of the Tender Bois Club, a music production house modeling the kind of tender, creative, and connected masculinity he wishes to see in the world. (2019) | Available for Sale-Jamil Hellu