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牛头怪，1885年-乔治·弗雷德里克·瓦茨

-In Greek mythology the Minotaur, half-man, half-bull, was appeased by annual human sacrifices. Every year, seven youths and seven virgins were shipped from mainland Athens to the Island of Crete to be devoured by the monster. In Watts\'s painting, the Minotaur leans out across the sea from a high parapet in anticipation of the ship\'s arrival. The yellow sunlight of the breaking dawn glints off the shoulder of the beast, accentuating his powerful body and catching the hairs of the tail that flicks out behind him. On the parapet, the Minotaur\'s large, hoof-like fist has crushed a small bird, a recognised symbol of the innocence and purity of youth.

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这顿饭，1885年-亨利·德布雷克勒

-Henri Jean Augustin de Braekeleer (1840-1888) was a Belgian painter. He was born and died in Antwerp.

The Meal, 1885 (Oil on Canvas), by Henri de Braekeleer

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母狮子休息，1885年-简·范埃森

-Lioness Resting, 1885 (Oil on Canvas), by Jan van Essen

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在女帽店，1885年-埃德加·德加

-At the Milliner, 1885 (Oil on Canvas), by Edgar Degas

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骑手们，大约1885年-埃德加·德加

-The Riders, circa 1885 (Oil on Canvas), by Edgar Degas

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狮子座躺着，1885年-德拉克洛瓦

-Lioness Reclining, 1885 (Oil on Canvas), by Eugene Delacroix

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《花瓶》，1885-1895年-奥迪隆·雷登

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游泳池，1885年-托马斯·埃金斯

-The Swimming Hole, 1885 (Oil on Canvas), by Thomas Eakins

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生病的孩子，1885年-爱德华·蒙克

-The Sick Child, 1885 (Oil on Canvas), by Edvard Munch

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《紧握的手》，1885年-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
Auguste Rodin often produced fragmentary studies of individual anatomical features, and stated, “I have always had an intense passion for the expression of the human hand.” In this work, the boldly modeled swellings and depressions of the hand suggest a sense of agitated anguish. This sculpture is probably related to Rodin’s grand project, The Burghers of Calais, in which a group of elderly men face the prospect of impending death.