31. 那些可怕边疆,人们存在和消失彼此消失(2019年) by Basel Abbas and Ruanne Abou-Rahme 高清作品[28%]

At Those Terrifying Frontiers Where the Existence and Disappearance of People Fade Into Each Other (2019)

材质 :Single channel video, 2-channel sound 尺寸 :This work is part of a limited edition set. Video\\\\u002FFilm\\\\u002FAnimation

那些可怕边疆,人们存在和消失彼此消失(2019年)-巴塞尔阿巴斯和鲁安·阿布·拉赫姆(Palestinian)

英文名称:At Those Terrifying Frontiers Where the Existence and Disappearance of People Fade Into Each Other (2019)-Basel Abbas and Ruanne Abou-Rahme

32. 对于那些被剥夺了梦想权人,至少有一个想法权利……一个将成为他们权利想法(2016年) by Simon Mhanna 高清作品[28%]

A ceux qu’on a privés du droit de rêver,  Le droit, au moins, d’une pensée …Une pensée qui sera leur droit (2016)

材质 :Acrylic on Canvas 尺寸 :115 × 90 × 2 cm Painting

对于那些被剥夺了梦想权人,至少有一个想法权利……一个将成为他们权利想法(2016年)-西蒙·姆安娜(Lebanese, b. 1994)

英文名称:A ceux qu’on a privés du droit de rêver, Le droit, au moins, d’une pensée …Une pensée qui sera leur droit (2016)-Simon Mhanna

34. 在我们发现如何燃烧太阳之前,那些能从枯燥眼睛中缩短枯燥日子东西会破坏I(2021年) by Alex Hamilton 高清作品[28%]

Things which shorten tedious days from a tedious eye break down the I before we discover how to burn down the sun (2021)

材质 :Spread on a bed - Acrylic ink, pastel, collage, on canvas 尺寸 :225 × 150 cm Painting

在我们发现如何燃烧太阳之前,那些能从枯燥眼睛中缩短枯燥日子东西会破坏I(2021年)-亚里克斯·汉密尔顿(b. 1958)

英文名称:Things which shorten tedious days from a tedious eye break down the I before we discover how to burn down the sun (2021)-Alex Hamilton

37. Jazzy Jay罗兰TR-727软件节奏合成器,由Jazzy Jay在12“版本LL Cool J上编程;《摇滚钟声》(1985年,由里克·鲁宾制作)由爵士杰伊借给里克·鲁宾,用于制作《Beastie男孩》首张专辑《Hold it,Now Hit it》(1986年),该专辑由Ill授权发行 - [爵士杰伊] 高清作品[26%]

Jazzy Jay’s Roland TR-727 Software Rhythm Composer, programmed by Jazzy Jay on 12” Version of LL Cool J;s “Rock the Bells” (1985, produced by Rick Rubin) and lent by Jazzy Jay to Rick Rubin for production on the Beastie Boys’ “Hold it, Now Hit It” (1986) from their debut album Licensed to Ill-[Jazzy Jay]

Jazzy Jay’s Roland TR-727 Software Rhythm Composer, programmed by Jazzy Jay on 12” Version of LL Cool J;s “Rock the Bells” (1985, produced by Rick Rubin) and lent by Jazzy Jay to Rick Rubin for production on the Beastie Boys’ “Hold it, Now Hit It” (1986) from their debut album Licensed to Ill-[Jazzy-Jay]
(Jazzy Jay罗兰TR-727软件节奏合成器,由Jazzy Jay在12“版本LL Cool J上编程;《摇滚钟声》(1985年,由里克·鲁宾制作)由爵士杰伊借给里克·鲁宾,用于制作《Beastie男孩》首张专辑《Hold it,Now Hit it》(1986年),该专辑由Ill授权发行-[爵士杰伊])

38. 西蒙说,他是Centrelink原住民,可以领取现金,斐济人在酒吧可以获得免费啤酒和footy talk,中东Taree High外可以得到学校鸡,2020年 by Dale Frank 高清作品[26%]

Simon says that he is aboriginal at Centrelink to claim the cash, Fijian at the pub to get free beers and talk footy, and middle eastern outside Taree High to get the school chicks, 2020

材质 :Pigments in easycast resin, epoxyglass, on perspex 尺寸 :200 × 200 cm Painting

图片文件尺寸 : 5630 x 4332px

西蒙说,他是Centrelink原住民,可以领取现金,斐济人在酒吧可以获得免费啤酒和footy talk,中东Taree High外可以得到学校鸡,2020年-戴尔·弗兰克(Australian, b. 1959)

英文名称:Simon says that he is aboriginal at Centrelink to claim the cash, Fijian at the pub to get free beers and talk footy, and middle eastern outside Taree High to get the school chicks, 2020-Dale Frank