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恶魔的初步图画-川端康赛

~ Preliminary Drawings of Demons (late 19th century) --Kawanabe Kyōsai (Japanese, 1831-1889)

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扮演基蒙·诺基黑的演员-黎世茂

~ Actor as Kimon no Kihei (before 1826) --Ryūsai Shigeharu (Japanese, 1802–1853)

Jazzy Jay’s Roland TR-727 Software Rhythm Composer, programmed by Jazzy Jay on 12” Version of LL Cool J;s “Rock the Bells” (1985, produced by Rick Rubin) and lent by Jazzy Jay to Rick Rubin for production on the Beastie Boys’ “Hold it, Now Hit It” (1986) from their debut album Licensed to Ill-[Jazzy-Jay]
（Jazzy Jay的罗兰TR-727软件节奏合成器，由Jazzy Jay在12“版本的LL Cool J上编程；《摇滚钟声》（1985年，由里克·鲁宾制作）由爵士杰伊借给里克·鲁宾，用于制作《Beastie男孩》的首张专辑《Hold it，Now Hit it》（1986年），该专辑由Ill授权发行-[爵士杰伊]）

A LOUIS XV GILT BRONZE -MOUNTED EBONIZED WALNUT AND RED TORTOISESHELL AND BRASS PREMIERE PARTIE BOULLE MARQUETRY BUREAU PLAT BY LATZ, SIGNED AND DATED 1744, THE MARQUETRY SECOND QUARTER 19TH CENTURY, LIKELY REPLACING AN EARLIER SIMILAR DESIGN-A-LOUIS-XV-GILT-BRONZE--MOUNTED-EBONIZED-WALNUT-AND-RED-TORTOISESHELL-AND-BRASS-PREMIERE-PARTIE-BOULLE-MARQUETRY-BUREAU-PLAT-BY-LATZ-SIGNED-AND-DATED-1744-THE-MARQUETRY-SECOND-QUARTER-19TH-CENTURY-LIKELY-REPLACING-AN-EARLIER-SIMILAR-DESIGN
（拉茨（LATZ）设计的路易十五（LOUIS XV）镀金青铜镶嵌乌木胡桃木、红玳瑁和黄铜首映式PARTIE BOULLE Marquery BUREAU PLAT，于1744年签署，日期为19世纪第二季度的Marquery，可能取代了早期的类似设计-A-LOUIS-XV-GILT-BRONZE-MOUNTED-EBONIZED-WALNUT-AND-RED-Tortoisehell-AND-BRASS-PREMIERE-PARTIE-BOULLE-Marquery-BUREAU-PLAT-BY-LATZ-SIGNED-AND-Date-1744-THE-Marquery-SECOND-QUARTER-19世纪-可能-替换-早期-类似-设计）

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梅花枝上有乌鸦的满月-川端康赛

~ Full Moon with Crow on Plum Branch (1880s) --Kawanabe Kyōsai (Japanese, 1831-1889)

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大谷德治饰演的仆人索德辅-Tōshūsai Sharaku

~ Otani Tokuji as the Servant Sodesuke (1794) --Tōshūsai Sharaku (Japanese, active 1794–1795)

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;她肩间有一个紫罗兰色的记号，左脚脚背上也有一个类似的记号;-亚瑟·拉克姆

~ She hath a mark, like a violet, between her shoulders, and another like it on the instep of her left foot. (1912) --Arthur Rackham (English, 1867-1939)

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反华运动冯天府的倒台-Mōsai Shungyō

~ The Campaign against China; The Fall of Fengtianfu (1895) --Mōsai Shungyō (Japanese, active 1870-1905)

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善与恶的影响2-艾希赛奇

~ Good and Evil Influences (Zendama akudama) II (c. 1795) --Eishōsai Chōki (Japanese, Active 1786-1808)

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两个妓女和一个背着狗的神户-科里塞伊索达

~ Two Courtesans and a Kamuro Carrying a Dog (ca. 1760–1780) --Koryûsai Isoda (Japanese, 1735–1790)