材质 :Marker on paper 尺寸 :29.7 × 41.9 cm Drawing, Collage or other Work on Paper
极简主义色彩–未注明,2012年(不适用)-马蒂亚斯·韦兹曼
英文名称:Minimalistas colores – Untitled, 2012 (N/A) | Available for Sale-Matias Waizmann
把豪泽的绘画从古典现代主义带到现在-
-
(Wien 1895-1985 Rekawinkel/NÖ)
26 Skizzenzeichnungen u. a. mit Landschaften (einmal Ölstudie, ca. 14 x 18,5 cm) und Figurendarstellungen,
großteils monogrammiert, einige signiert bzw. datiert: 1914/1925,
Bleistift, Kohle auf (Paus)-Papier, Blattformate von ca. 13 x 17,5bis ca. 60 x 47 cm, Knick- und Rissstellen, lose Ruf 1500
图片文件尺寸: 5500×4141 px
关于绘画技巧的色彩研究-瓦西里·康定斯基
-Wassily Wassilyevich Kandinsky was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art. Born in Moscow, Kandinsky spent his childhood in Odessa (today Ukraine), where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics. Successful in his profession—he was offered a professorship (chair of Roman Law) at the University of Dorpat (today Tartu, Estonia)—Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30.
In 1896, Kandinsky settled in Munich, studying first at Anton Ažbe\'s private school and then at the Academy of Fine Arts. He returned to Moscow in 1914, after the outbreak of World War I. Following the Russian Revolution, Kandinsky \"became an insider in the cultural administration of Anatoly Lunacharsky\" and helped establish the Museum of the Culture of Painting. However, by then \"his spiritual outlook... was foreign to the argumentative materialism of Soviet society\", and opportunities beckoned in 德国艺术家y, to which he returned in 1920. There he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France, where he lived for the rest of his life, becoming a 法国艺术家 citizen in 1939 and producing some of his most prominent art. He died in Neuilly-sur-Seine in 1944.
萨尔瓦多·达利:《从古典现代主义到现在的绘画》-
-
(Figueras 1904-1989)
Daphne I,
signiert unten rechts: Dali,
Farblithografie auf Arches, mit Prägestempel: DALART N. V. Copyright 1979, aus dem fünfteiligen Zyklus Retrospective II, 1979/80, Nr. I 257/350, Darstellungsgröße ca. 58 x 45,7 cm, Blattgröße ca. 74,8 x 54,5 cm, verglast, gerahmt Ruf 500
Lit.:
WVZ Michler-Löpsinger, Salvador Dali: Das druckgraphische Werk II, München 1995, S. 179, Abb. 1582