34. 有时我会听无害独立音乐,但我永远不知道它如何影响非洲身份,2012年 by Rowan Smith 高清作品[22%]

Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012

材质 :Gouache on Strathmore Watercolour paper 尺寸 :76.2 × 55.6 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

有时我会听无害独立音乐,但我永远不知道它如何影响非洲身份,2012年-罗恩·史密斯。(South African, b. 1983)

英文名称:Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012-Rowan Smith

36. 私酒影响/传感器自动化限制/接近是危险,但信息丰富/但我坐在里面(2020年) by Kirill Savchenkov 高清作品[22%]

the effect of a moonshine / the limits of sensor automation / proximity is dangerous yet information-rich / but I’m sitting inside there (2020)

材质 :Mixed media sculpture 尺寸 :56 × 20 × 15 cm Sculpture

私酒影响/传感器自动化限制/接近是危险,但信息丰富/但我坐在里面(2020年)-基里尔·萨夫琴科夫(Russian, b. 1987)

英文名称:the effect of a moonshine / the limits of sensor automation / proximity is dangerous yet information-rich / but I’m sitting inside there (2020)-Kirill Savchenkov

39. 整个该死东西都着火了。或者,早期绅士化对坚韧不拔人群影响。(2021) by Umar Rashid (Frohawk Two Feathers) 高清作品[22%]

The whole fucking thing is on fire. Or, The effects of early gentrification on an unyielding population. (2021)

材质 :Acrylic and spray paint on canvas 尺寸 :183 × 183 cm Painting

整个该死东西都着火了。或者,早期绅士化对坚韧不拔人群影响。(2021)-乌马尔·拉希德(两根羽毛)

英文名称:The whole fucking thing is on fire. Or, The effects of early gentrification on an unyielding population. (2021)-Umar Rashid (Frohawk Two Feathers)