31. 意大利学校,18岁。在19世纪,直到1900年,主要的绘和版水彩和微型` by Italienische Schule, 18. Jahrhundert 高清作品[26%]

DO-Italienische Schule, 18. Jahrhundert - Meisterzeichnungen und Druckgraphik bis 1900, Aquarelle, Miniaturen
图片文件像素:4800 x 3400 px

意大利学校,18岁。在19世纪,直到1900年,主要的绘和版-

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Ein Heiliger umgeben von zwei Engeln und Putti, Feder in brauner Tusche über Spuren schwarzer Kreide, braun laviert, auf Bütten, rückseitig Figurenskizzen in schwarzer Feder, 19,4 x 16,5 cm, ohne Passep., ohne Rahmen,(Sch)

32. Matthijs Cock1900年前的主要绘和印刷品、和微型的继承者/追随者` by Matthijs Cock Nachfolger/Follower 高清作品[26%]

DO-Matthijs Cock Nachfolger/Follower - Meisterzeichnungen und Druckgraphik bis 1900, Aquarelle, Miniaturen
图片文件像素:4800 x 3400 px

Matthijs Cock1900年前的主要绘和印刷品、的继承者/追随者-

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(1509–1548)
河边有房屋和磨坊的岩石景观,棕色和灰色的笔,黑色粉笔的痕迹,在讲义上,背面用棕色羽毛标记“(H)ans Bol i f”,20 x 29.5厘米,棕色羽毛的边界线,晒黑,上边缘有轻微斑点,passep。,无框架(Sch)

33. 当我还个孩子的时候,我爱我的动物同伴,渴望看到、触摸和闻到每一个新的动物,即使在马戏团,我知道那一个悲伤的地方。当我骑着大象去那里时,我哭了,同时也为我感到的兴奋而感到内疚(2021年) by Andrea Joyce Heimer 高清作品[24%]

I Loved My Animal Companions As A Child And Was Eager To See, Touch, And Smell Each New One, Even At The Circus, Which I Knew Was A Sad Place, And I Cried When I Rode The Elephant There, All The While Feeling Guilty For The Exhilaration I Felt Too (2021)

材质 :Acrylic and oil stick on panel 尺寸 :101.6 × 152.4 cm Painting

当我还个孩子的时候,我爱我的动物同伴,渴望看到、触摸和闻到每一个新的动物,即使在马戏团,我知道那一个悲伤的地方。当我骑着大象去那里时,我哭了,同时也为我感到的兴奋而感到内疚(2021年)-安德里亚·乔伊斯·海默(American, b. 1981)

英文名称:I Loved My Animal Companions As A Child And Was Eager To See, Touch, And Smell Each New One, Even At The Circus, Which I Knew Was A Sad Place, And I Cried When I Rode The Elephant There, All The While Feeling Guilty For The Exhilaration I Felt Too (2021)-Andrea Joyce Heimer

34. 女性裸体研究(可能一幅未实现的寓言)(recto)` Study of a Female Nude (possibly for an unrealized allegorical painting) (recto) (1800s) by Pierre Puvis de Chavannes 高清作品[24%]

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Study of a Female Nude (possibly for an unrealized allegorical painting) (recto) (1800s) -

图片文件尺寸: 5408 x 3992px

女性裸体研究(可能一幅未实现的寓言)(recto)-皮埃尔·皮维·德·夏凡纳

` Study of a Female Nude (possibly for an unrealized allegorical painting) (recto) (1800s) --Pierre Puvis de Chavannes (法国艺术家, 1824-1898)

36. 婚姻保险箱还卡松。在南肯辛顿的维多利亚和阿尔伯特博物馆。意大利语(可能佛罗伦萨语),约1550年。埃德温·福利` Marriage coffer or cassone. In the Victoria and Albert Museum, South Kensington. Italian (Florentine probably), ca. 1550. (1910 ~ 1911) by Edwin Foley 高清作品[23%]

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Marriage coffer or cassone. In the Victoria and Albert Museum, South Kensington. Italian (Florentine probably), ca. 1550. (1910 ~ 1911) -

图片文件尺寸: 4494 x 3453px

婚姻保险箱还卡松。在南肯辛顿的维多利亚和阿尔伯特博物馆。意大利语(可能佛罗伦萨语),约1550年。埃德温·福利-埃德温·福利

~ Marriage coffer or cassone. In the Victoria and Albert Museum, South Kensington. Italian (Florentine probably), ca. 1550. (1910 ~ 1911) --Edwin Foley (English, 1859-1912)

37. 圣特蕾莎,第二位女性圣徒和慈善机构(可能祭坛的初步研究)` Saint Theresa, a second female saint and Charity (possibly preliminary study for an altarpiece) (18th Century) by Venetian School 高清作品[23%]

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Saint Theresa, a second female saint and Charity (possibly preliminary study for an altarpiece) (18th Century) -

图片文件尺寸: 2014 x 3150px

圣特蕾莎,第二位女性圣徒和慈善机构(可能祭坛的初步研究)-威尼斯学校

~ Saint Theresa, a second female saint and Charity (possibly preliminary study for an altarpiece) (18th Century) --Venetian School

38. 更多的打捞——这就我们想要的。用纸、破布、骨头来制造更多的弹药` More salvage – thats what we want. Paper, rags, bones to make more munitions (between 1939 and 1946) by Bert Thomas 高清作品[22%]

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More salvage – thats what we want. Paper, rags, bones to make more munitions (between 1939 and 1946) -

图片文件尺寸: 2438 x 3600px

更多的打捞——这就我们想要的。用纸、破布、骨头来制造更多的弹药-伯特·托马斯

~ More salvage – thats what we want. Paper, rags, bones to make more munitions (between 1939 and 1946) --Bert Thomas

39. 在一幅与医生有争议的祭坛板上,维索基督在他母亲面前的形象` Panel of an Altarpiece with Dispute with the Doctors, on verso is Appearance of Christ to his Mother (c. 1520 ~ c. 1535) by Master of Alkmaar 高清作品[21%]

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Panel of an Altarpiece with Dispute with the Doctors, on verso is Appearance of Christ to his Mother (c. 1520 ~ c. 1535) -

图片文件尺寸:

在一幅与医生有争议的祭坛板上,维索基督在他母亲面前的形象-阿尔克马尔大师

~ Panel of an Altarpiece with Dispute with the Doctors, on verso is Appearance of Christ to his Mother (c. 1520 ~ c. 1535) --Master of Alkmaar (荷兰艺术家, ?-1540)