33. 巴勃罗·加索(PABLO PICASSO)拿着一个农牧神剪影,另一个农牧神坐在摇椅上。在巴勃罗·加索身后,有两幅画创作于1956年。加利福尼亚州洛杉矶,戛纳,1956年 - 爱德华·奎因-- 高清作品[39%]

  PABLO PICASSO HOLDING A CUTOUT FIGURE OF A FAUN, WITH ANOTHER FAUN SEATED ON THE ROCKING CHAIR. BEHIND PABLO PICASSO, TWO PAINTINGS DONE IN 1956. LA CALIFORNIE, CANNES, 1956-EDWARD-QUINN--

PABLO PICASSO HOLDING A CUTOUT FIGURE OF A FAUN, WITH ANOTHER FAUN SEATED ON THE ROCKING CHAIR. BEHIND PABLO PICASSO, TWO PAINTINGS DONE IN 1956. LA CALIFORNIE, CANNES, 1956-EDWARD-QUINN--
(巴勃罗·加索(PABLO PICASSO)拿着一个农牧神剪影,另一个农牧神坐在摇椅上。在巴勃罗·加索身后,有两幅画创作于1956年。加利福尼亚州洛杉矶,戛纳,1956年-爱德华·奎因--)

34. 从里到下。。。结构主义基石是什么?来自通用动力联合国投资组合,1970年 by Eduardo Paolozzi 高清作品[38%]

Inside Down Under... What are the Building Blocks of Structuralism? II from General Dynamic F.U.N. Portfolio, <em>1970</em>

材质 :Photolithograph 尺寸 :38.1 × 25.4 cm Print

图片文件尺寸 : 5630 x 4332px

从里到下。。。结构主义基石是什么?来自通用动力联合国投资组合,1970年-爱德华多·包洛奇(British, 1924–2005)

英文名称:Inside Down Under... What are the Building Blocks of Structuralism? II from General Dynamic F.U.N. Portfolio, 1970-Eduardo Paolozzi

36. 表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚作品,具有明确女权主义内涵,创作时是对女性状态、女性社会、政治和法律限制指控。(2019-2020) by Susy Gómez 高清作品[36%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚作品,具有明确女权主义内涵,创作时是对女性状态、女性社会、政治和法律限制指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez