PORTRAIT OF A GENTLEMAN, BUST LENGTH, IN A PAINTED OVAL-CORNELIUS-JOHNSON-
（一位绅士的肖像，半身长，画成椭圆形-科尼利厄斯-约翰逊-）
32.
带独木舟的女孩，画成工艺美术风格，约1920年 by Walt Louderback 高清作品[19%]
材质 :Oil on canvas 尺寸 :76.2 × 61 cm Painting
图片文件尺寸 : 5630 x 4332px
带独木舟的女孩，画成工艺美术风格，约1920年-沃尔特·劳德巴克
英文名称:Girl with canoe painted in Arts and Crafts style, ca. 1920-Walt Louderback
33.
一位女士的肖像，半身长，画成椭圆形 - 归因于科尼利厄斯·约翰逊 高清作品[19%]
Portrait of a lady, bust length, in a painted oval-Attributed-to-Cornelius-Johnson
（一位女士的肖像，半身长，画成椭圆形-归因于科尼利厄斯·约翰逊）
34.
一位女士的肖像，半身，戴着一条带心形吊坠的珍珠项链，画成椭圆形 - 英荷学派——17世纪 高清作品[18%]
Portrait of a lady, half-length, wearing a pearl necklace with a heart pendant, in a painted oval-Anglo-Dutch-School-17th-century
（一位女士的肖像，半身，戴着一条带心形吊坠的珍珠项链，画成椭圆形-英荷学派——17世纪）
35.
命运在流逝。。。智慧和L节省开支，她把自己的捐款花在工人身上`
La Fortune Passe… Guidée Par La Sagesse Et Leconomie, Elle Répand Ses Dons Sur Les Travailleurs (1912) by Paul-François Quinsac 高清作品[18%]
图片文件尺寸: 5200 x 2397px
命运在流逝。。。智慧和L节省开支，她把自己的捐款花在工人身上-保罗·弗朗索瓦·昆萨克
~ La Fortune Passe… Guidée Par La Sagesse Et Leconomie, Elle Répand Ses Dons Sur Les Travailleurs (1912) --Paul-François Quinsac (法国艺术家, 1858-1929)
36.
命运在流逝。。。智慧和L节省开支，她把自己的捐款花在工人身上`
La Fortune Passe… Guidée Par La Sagesse Et Leconomie, Elle Répand Ses Dons Sur Les Travailleurs (1912) by Paul-François Quinsac 高清作品[18%]
图片文件尺寸: 5200 x 2397px
命运在流逝。。。智慧和L节省开支，她把自己的捐款花在工人身上-保罗·弗朗索瓦·昆萨克
~ La Fortune Passe… Guidée Par La Sagesse Et Leconomie, Elle Répand Ses Dons Sur Les Travailleurs (1912) --Paul-François Quinsac (法国艺术家, 1858-1929)
37.
《最后的晚餐》（画成椭圆形）、教父和四位福音传道者（在角落里画成了灰色）`
The Last Supper (in a painted oval), Godfather and the Four Evangelists (painted en grisaille in the corners) by Frans Francken the Younger 高清作品[18%]
图片文件尺寸: 2753 x 3516px
《最后的晚餐》（画成椭圆形）、教父和四位福音传道者（在角落里画成了灰色）-小弗朗斯·弗兰肯
~ The Last Supper (in a painted oval), Godfather and the Four Evangelists (painted en grisaille in the corners)--Frans Francken the Younger (Flemish, 1581 - 1642)
38.
天花板的一部分用树木和格子画成的设计`
Design for one section of a ceiling painted with trees and lattices (19th Century) by Jules-Edmond-Charles Lachaise 高清作品[15%]
图片文件尺寸: 2509 x 3165px
天花板的一部分用树木和格子画成的设计-朱尔斯·爱德蒙·查尔斯·拉切斯
~ Design for one section of a ceiling painted with trees and lattices (19th Century) --Jules-Edmond-Charles Lachaise (法国艺术家, ?-1897)
39.
大约在1747-1740年间，一对梅森牛雀雕像 - 一对梅森牛雀-约1747-50 高清作品[15%]
A PAIR OF MEISSEN FIGURES OF BULLFINCHES, CIRCA 1747-50-A-PAIR-OF-MEISSEN-FIGURES-OF-BULLFINCHES-CIRCA-1747-50
（大约在1747-1740年间，一对梅森牛雀雕像-一对梅森牛雀-约1747-50）
40.
冲锋牛，华尔街牛`Charging Bull, Wall Street Bull by Arturo Di Modica 高清作品[14%]
图片文件尺寸: 5200×3984 px
冲锋牛，华尔街牛-阿图罗·迪·莫迪卡
-Charging Bull, sometimes referred to as the Wall Street Bull or the Bowling Green Bull, is a bronze sculpture that stands on Broadway just north of Bowling Green in the Financial District of Manhattan, New York City. The 7,100-pound (3,200 kg) bronze sculpture, standing 11 feet (3.4 m) tall and measuring 16 feet (4.9 m) long, depicts a bull, the symbol of aggressive financial optimism and prosperity. Charging Bull is a popular tourist destination that draws thousands of people a day, symbolizing Wall Street and the Financial District.
The sculpture was created by Sicilian artist Arturo Di Modica in the wake of the 1987 Black Monday stock market crash. On December 14, 1989, Di Modica arrived on Wall Street with Charging Bull on the back of a truck and illegally dropped the sculpture outside of the New York Stock Exchange. After being removed by the New York City Police Department later that day, Charging Bull was installed at Bowling Green a week later. Despite initially having only a temporary permit to be located at Bowling Green, Charging Bull became a popular tourist attraction. In 2017, another bronze sculpture titled Fearless Girl was installed across from Charging Bull, though it was later relocated.
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