材质 :6,000 dirty work gloves and garbage materials 尺寸 :335.3 × 363.2 × 274.3 cm Installation
纪念新服务经济中的服务工作者的仪式拱门（1989-1994）-迈尔莱德曼Ukeles
英文名称:Ceremonial Arch Honoring Service Workers in the New Service Economy (1989-1994) | Available for Sale-Mierle Laderman Ukeles
材质 :Oil on canvas 尺寸 :91.8 × 74.3 cm Painting
图片文件尺寸 : 5630 x 4332px
反思想（第二思想），1939年-伊夫·唐基(French, 1900–1955)
英文名称:Arrières-pensées (Second Thoughts), 1939-Yves Tanguy
材质 :Oil on canvas 尺寸 :91.8 × 74.3 cm Painting
反思想（第二思想）（1939年）-伊夫·唐基(French, 1900–1955)
英文名称:Arrières-pensées (Second Thoughts) (1939)-Yves Tanguy
图片文件尺寸: 2948 x 2295px
无标题（饥饿、世界经济危机、失业等）-卡尔·维纳
~ Ohne Titel (Hunger, Weltwirtschaftskrise, Arbeitslos, …) (around 1933) --Karl Wiener (奥地利艺术家, 1901-1949)
材质 : Pencil drawings
图片文件尺寸 : 4859 x 3695 px
第三条：树木研究。岩石研究。带有商店招牌的阳台书房（经济适用于菲舍尔·罗斯尔），大约1870年。-卡尔·施皮茨韦格
英文名称:3 Bll.: Baumstudie. Felsenstudie. Balkonstudie mit Ladenschild (Wirtschaft zur Fischer-Rosl), Wohl um 1870.-Carl Spitzweg
材质 :Repurposed antique glass, acrylic, enamel, and wood 尺寸 :68.6 × 17.8 cm Sculpture
真实情况：2020年至2034年间，拉美裔将填补75%的美国新增就业岗位（他的《2015年经济报告》（2020年）-琳达·瓦莱乔
英文名称:The Real Thing: Hispanics Will Fill 75% of New US Jobs Between 2020 and 2034, (HIS Economics Report 2015) (2020) | Available for Sale-Linda Vallejo
材质 :Traditional Hanji paper (old book paper) 尺寸 :270 × 197 cm Painting
思想超越对象思想超脱对象 （2021年）-光熙贞(Korean, b. 1969)
英文名称:Thoughts Transcend the Object 思想超脱对象 (2021) | Available for Sale-Gwang Hee Jeong
图片文件尺寸: 3074 x 3888px
思想家（思想家）-阿方斯·勒格罗
~ Thinker (Le penseur)--Alphonse Legros (法国艺术家, 1837-1911)
图片文件尺寸: 8186×9800 px
思想家，思想家-奥古斯特·罗丁
-The Thinker was originally conceived not in heroic isolation, but as part of Rodin\'s monumental Gates of Hell—a pair of bronze doors intended for a museum of decorative arts in Paris. Although the doors were never cast during the sculptor\'s lifetime, they nevertheless provided Rodin a rich source of ideas for individual figures and groups that he worked and reworked for the rest of his career.
The theme for Gates of Hell was taken from Dante\'s Inferno, and this figure, planned for the lintel on top, was initially conceived as the poet himself. His nudity, though, marked him as a universal embodiment of every poet—every creator—who draws new life from the imagination. In the late 1880s Rodin began to exhibit the figure, sometimes with the title Poet, other times as Poet/Thinker. By 1896, however, it had become simply The Thinker, a still more universal image that reveals in physical terms the mental effort and even anguish of creativity. As Rodin himself described: \"What makes my Thinker think is that he thinks not only with his brain, with his knitted brow, his distended nostrils and compressed lips, but with every muscle of his arms, back, and legs, with his clenched fist and gripping toes.\"
Rodin\'s Thinker exists today in many casts and sizes. More than fifty are known in this size—which is the size of Rodin\'s original handmade clay model.
Main et fruits-Man-Ray
（主要水果-曼雷）