35. 两幅晚期哥特式祭坛画，奥地利或南德风格，约1500欧元/` by Zwei spätgotische Altartafeln, Österreichische oder Süddeutsche Schule, um 1500 高清作品[36%]

DO-Zwei spätgotische Altartafeln, Österreichische oder Süddeutsche Schule, um 1500 - Osterauktion
图片文件像素：4600 x 3500 px

两幅晚期哥特式祭坛画，奥地利或南德风格，约1500欧元/复活节拍卖-

-

a） 圣。教皇格雷戈里一世，伟大的，与天灾和十字架b）圣。迈拉的圣尼古拉斯和主教的杖，以及圣。将油涂抹在木材上，分别约为65.5 x 34.5厘米。64.5 x 34厘米，部分轻微修剪，修饰，颜色缺陷和减少，污渍

39. 亚历山大的圣凯瑟琳，圣母与圣子三联画`Saint Catherine of Alexandria, Triptych of the Virgin and Child by Jan van Eyck 高清作品[35%]

AF-Saint Catherine of Alexandria, Triptych of the Virgin and Child

图片文件尺寸: 3903×15000 px

亚历山大的圣凯瑟琳，圣母与圣子三联画-简·范艾克先生

-Jan van Eyck ( 1390-1441) was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art.

The Dresden Triptych (or Virgin and Child with St. Michael and St. Catherine and a Donor, or Triptych of the Virgin and Child) is a very small hinged-triptych altarpiece by the Early Netherlandish.

The paintings of the two outer wings become visible when the triptych is closed. They show the Virgin Mary and Archangel Gabriel in an Annunciation scene painted in grisaille, which because of their near-monochrome colouring give the impression that the figures are sculpted. The three inner panels are set in an ecclesiastical interior. In the central inner panel Mary is seated and holds the Christ Child on her lap. On the left hand wing Archangel Michael presents a kneeling donor, while on the right St. Catherine of Alexandria stands reading a prayer book.

Saint Catherine of Alexandria, Triptych of the Virgin and Child (Oil on Canvas), by Jan van Eyck

相关：
德国新古典主义风格灯具 文艺复兴风格灯具的特点 新古典主义与民国风格的关系 毕加索画的特点与风格图片 新古典风格与新古典主义的区别 新古典主义与浪漫主义风格的异同
首页 主题 艺术运动 风景