31. 一座建筑风格随意建筑,可以看到想象中古典宫殿和优雅人物` An architectural capriccio with a view of an imaginary classical palace and elegant figures by Paul Vredeman de Vries 高清作品[32%]

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An architectural capriccio with a view of an imaginary classical palace and elegant figures-

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一座建筑风格随意建筑,可以看到想象中古典宫殿和优雅人物-保罗·弗里德曼·德弗里斯

~ An architectural capriccio with a view of an imaginary classical palace and elegant figures--Paul Vredeman de Vries (Flemish, 1567-1617)

34. 红色人物陶瓷圆柱陨石坑,归属于提斯基维茨画家,阿提卡艺术,约公元前490-480年。 - A-Attic-Red-figued-Column-Krater-attributed-to-the-Tyszkiewicz-Painter-circa-490-480-B.C- 高清作品[32%]

 Cratère à colonne en céramique à figures rouges, attribué au Peintre de Tyszkiewicz, art attique, vers 490-480 avant J.-C.-An-Attic-Red-figured-Column-Krater-attributed-to-the-Tyszkiewicz-Painter-circa-490-480-B.C.-

Cratère à colonne en céramique à figures rouges, attribué au Peintre de Tyszkiewicz, art attique, vers 490-480 avant J.-C.-An-Attic-Red-figured-Column-Krater-attributed-to-the-Tyszkiewicz-Painter-circa-490-480-B.C.-
(红色人物陶瓷圆柱陨石坑,归属于提斯基维茨画家,阿提卡艺术,约公元前490-480年。-A-Attic-Red-figued-Column-Krater-attributed-to-the-Tyszkiewicz-Painter-circa-490-480-B.C-)

35. 对一件带有谨慎、工业和经济人物雕塑研究得到了支持` Studies for a Sculpture with Figures of Prudence, Industry and Economy Supported by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola (1652–1725) by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola by Giovanni Battista Foggini 高清作品[32%]

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Studies for a Sculpture with Figures of Prudence, Industry and Economy Supported by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola (1652–1725) -

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对一件带有谨慎、工业和经济人物雕塑研究得到了支持-奴隶和一块镶有卡通图案椭圆形匾额乔瓦尼·巴蒂斯塔·福吉尼对冲天炉单独研究

~ Studies for a Sculpture with Figures of Prudence, Industry and Economy Supported by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola (1652–1725) --Giovanni Battista Foggini (Italian, 1652-1725)

39. 废墟中有人物两个经典场景:A)被土耳其人洗劫城市中一座废弃宫殿大厅(RECTO);建筑物平面图和人物研究(VERSO)B)前景泳池边土耳其古典遗迹随想曲 - PIERRE-NICOLAS-LEGRAND-DE-LÉRANT- 高清作品[31%]

 A PAIR OF CLASSICAL SCENES WITH FIGURES AMONG RUINS: A) A RUINED PALATIAL HALL IN A CITY SACKED BY TURKS (RECTO); A PLAN OF THE BUILDING WITH STUDIES OF FIGURES (VERSO) B) A CAPRICCIO OF CLASSICAL RUINS WITH TURKS BY A POOL IN THE FOREGROUND-PIERRE-NICOLAS-LEGRAND-DE-LÉRANT-

A PAIR OF CLASSICAL SCENES WITH FIGURES AMONG RUINS: A) A RUINED PALATIAL HALL IN A CITY SACKED BY TURKS (RECTO); A PLAN OF THE BUILDING WITH STUDIES OF FIGURES (VERSO) B) A CAPRICCIO OF CLASSICAL RUINS WITH TURKS BY A POOL IN THE FOREGROUND-PIERRE-NICOLAS-LEGRAND-DE-LÉRANT-
(废墟中有人物两个经典场景:A)被土耳其人洗劫城市中一座废弃宫殿大厅(RECTO);建筑物平面图和人物研究(VERSO)B)前景泳池边土耳其古典遗迹随想曲-PIERRE-NICOLAS-LEGRAND-DE-LÉRANT-)