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圣母与圣子研究-年轻的雅格布·帕尔玛
` Studies of the Virgin and Child with Saints (c. 1611) --Jacopo Palma il Giovane (Italian, c. 1548-1628)
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大天使迈克尔,圣母与圣子三联图-简·范艾克先生
-Jan van Eyck ( 1390-1441) was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art.
The Dresden Triptych (or Virgin and Child with St. Michael and St. Catherine and a Donor, or Triptych of the Virgin and Child) is a very small hinged-triptych altarpiece by the Early Netherlandish.
The paintings of the two outer wings become visible when the triptych is closed. They show the Virgin Mary and Archangel Gabriel in an Annunciation scene painted in grisaille, which because of their near-monochrome colouring give the impression that the figures are sculpted. The three inner panels are set in an ecclesiastical interior. In the central inner panel Mary is seated and holds the Christ Child on her lap. On the left hand wing Archangel Michael presents a kneeling donor, while on the right St. Catherine of Alexandria stands reading a prayer book.
Archangel Michael, Triptych of the Virgin and Child (Oil on Canvas), by Jan van Eyck
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1506-1509年,圣母和圣子与四位天使一起登基-第五团
-Quentin Matsys (1466-1530) was a Flemish painter in the Early Netherlandish tradition.
This paintings shows the Virgin as Queen of Heaven: she sits on a gilded throne and two angels hover above her, about to place an extraordinarily delicate crown on her head. The infant Christ, a string of coral beads around his neck, plays with the book held by his mother, pulling on the red book mark. The pair are serenaded by angels who stand to either side of the throne playing a lute and a harp.
The Virgin and Child Enthroned, with Four Angels, 1506-1509 (Oil on Canvas), by Quinten Massys