32. 解剖学研究(écorché)。从后半部分向右看,一名剥皮男子的躯干` Anatomical Study (écorché). Torso of a flayed man seen from the back half turned to the right (1628 – 1630) by Willem Panneels 高清作品[26%]

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Anatomical Study (écorché). Torso of a flayed man seen from the back half turned to the right (1628 – 1630) -

图片文件尺寸: 2917 x 3292px

解剖学研究(écorché)。从后半部分向右看,一名剥皮男子的躯干-威廉·潘尼尔斯先生

` Anatomical Study (écorché). Torso of a flayed man seen from the back half turned to the right (1628 – 1630) --Willem Panneels (Flemish, c.1600 – c.1634)

36. 损坏底片:巴卡里夫人的抓痕肖像。摘自《摄影现象》(2012)系列, by Akram Zaatari 高清作品[25%]

材质 :Inkjet print on silver rag paper. Printed from 35 mm scratched negative from the Hashem el Madani archive 尺寸 :180 × 120 cm Photography

损坏底片:巴卡里夫人的抓痕肖像。摘自《摄影现象》(2012)系列,-阿克朗·札塔利

英文名称:Damage Negatives: Scratched Portrait of Mrs. Baqari. From the series \\\"Photographic phenomena\\\" (2012) | Available for Sale-Akram Zaatari

37. 损坏底片:一位匿名女性的抓痕肖像。摘自《摄影现象》(2012)系列, by Akram Zaatari 高清作品[25%]

材质 :Inkjet print on silver rag paper. Printed from 35 mm scratched negative from the Hashem el Madani archive 尺寸 :180 × 120 cm Photography

损坏底片:一位匿名女性的抓痕肖像。摘自《摄影现象》(2012)系列,-阿克朗·札塔利

英文名称:Damage Negatives: Scratched Portrait of an anonymus woman. From the series \\\"Photographic phenomena\\\" (2012) | Available for Sale-Akram Zaatari

40. 无标题计时器(永久性损坏/广泛持有的假设)(2019-2020) by Amanda Ross-Ho 高清作品[25%]

Untitled Timepiece (PERMANENT DAMAGE/WIDELY HELD ASSUMPTIONS) (2019-2020)

材质 :Gesso, silkscreen, acrylic, ink, ball point pen, graphite, charcoal, oil pastel, watercolor, coffee, tea, wine, paper, laser prints tongue depressors, post-it notes, felt, on canvas covered panel 尺寸 :132.1 × 132.1 cm Painting

无标题计时器(永久性损坏/广泛持有的假设)(2019-2020)-阿曼达·罗斯·何(American, b. 1975)

英文名称:Untitled Timepiece (PERMANENT DAMAGE/WIDELY HELD ASSUMPTIONS) (2019-2020)-Amanda Ross-Ho