34. 无标题(Gefangen/Diesseits–Jenseits/Figur)(无标题,俘虏/这个世界人物–下一个世界),约1940年 by Paul Klee 高清作品[25%]

Ohne Titel (Gefangen/Diesseits–Jenseits/ Figur)(Untitled, Captive/Figure of This World–Next World),  ca. 1940

材质 :Oil and coloured paste on primed burlap on burlap 尺寸 :55.2 × 50.1 cm Painting

图片文件尺寸 : 5630 x 4332px

无标题(Gefangen/Diesseits–Jenseits/Figur)(无标题,俘虏/这个世界人物–下一个世界),约1940年-保罗·克莱(German, 1879–1940)

英文名称:Ohne Titel (Gefangen/Diesseits–Jenseits/ Figur)(Untitled, Captive/Figure of This World–Next World), ca. 1940-Paul Klee

37. 瓶花之六`A Vase of Flowers by Georges Pierre Seurat 高清作品[24%]

AF-A Vase of Flowers

图片文件尺寸: 5510×6700 px

瓶花之六-乔治·皮埃尔·修拉

-This is the only still life Seurat is known to have painted, and it is a rare surviving example of his early work, as it is believed that the artist destroyed most of those canvases. In its subject and predominant use of red pigments, it aligns with 法国艺术家 academic trends of the 1870s, particularly artists’ interest in flower painting and in the late work of the romantic painter Eugène Delacroix. Nevertheless, several aspects of the painting hint at the development of Seurat’s signature style, known as pointillism, in which he juxtaposed small dabs of contrasting pure colors. The vertical strokes of repeated colors covering the background represent a technique Seurat experimented with in other work from this period. The crisscrossing patchwork of blue and brown brushstrokes in the shadow cast by the vase onto the tablecloth approximates the technique he would cultivate in his later oil sketches, like the example hanging nearby.