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381. \\“生命的线条”——用黑色墨水和万寿菊蚀刻的女性形象/母性/女权主义版画（2018年） by Radoslava Hrabovska 高清作品[19%]

材质 :Drypoint Etched Print with Mezzotint 尺寸 :91.4 × 55.9 cm Drawing, Collage or other Work on Paper

\\“生命的线条”——用黑色墨水和万寿菊蚀刻的女性形象/母性/女权主义版画（2018年）-拉多斯拉瓦·赫拉博夫斯卡(Slovak)

英文名称:\\\"Life\'s Lines\\\" - Etched Print in Black Ink and Marigold of Female Figure / Motherhood / Feminism (2018)-Radoslava Hrabovska

382. 《两个男性人物的中国现代主义场景》，H.Xumo（20世纪中期）的油画作品 by H. Xumo 高清作品[19%]

$\'Chinese Modernist Scene of Two Male Figures,\' Oil on Canvas by H. Xumo (Mid-20th Century) | Available for Sale$

材质 :Oil on canvas 尺寸 :73 × 53 × 4.4 cm Painting

《两个男性人物的中国现代主义场景》，H.Xumo（20世纪中期）的油画作品-许默

英文名称:\'Chinese Modernist Scene of Two Male Figures,\' Oil on Canvas by H. Xumo (Mid-20th Century) | Available for Sale-H. Xumo

383. 贝乌斯·范·贝拉格的壁画设计象征着一对跪着拥抱的情侣，以及冯德尔的咒语` Ontwerp voor wandschildering in de Beurs van Berlage; embleem met knielend paar in omhelzing en spreuk van Vondel (c. 1869 ~ c. 1925) by Antoon Derkinderen 高清作品[19%]

图片文件尺寸: 3260 x 3312px

贝乌斯·范·贝拉格的壁画设计象征着一对跪着拥抱的情侣，以及冯德尔的咒语-安托恩·德金登

~ Ontwerp voor wandschildering in de Beurs van Berlage; embleem met knielend paar in omhelzing en spreuk van Vondel (c. 1869 ~ c. 1925) --Antoon Derkinderen (荷兰艺术家, 1859 - 1925)

384. 哲学` La philosophie (1890) by Georges Callot 高清作品[19%]

图片文件尺寸: 4067 x 8761px

哲学-乔治·卡洛特

` La philosophie (1890) --Georges Callot (法国艺术家, 1857-1903)

385. 哲学，1899年`Philosophy, 1899 by Gustav Klimt 高清作品[19%]

图片文件尺寸: 3376×5000 px

哲学，1899年-古斯塔夫·克里姆特

-Philosophy was the first of the three pictures presented to the 奥地利艺术家 Government at the seventh Vienna Secession exhibition in March 1900. It had been awarded a gold medal at the World Exhibition in Paris, but was attacked by those in his own country. Klimt described the painting as follows: \"On the left a group of figures, the beginning of life, fruition, decay. On the right, the globe as mystery. Emerging below, a figure of light: knowledge.\" Critics were disturbed by its depiction of men and women drifting in an aimless trance. The original proposal for the theme of the painting was \"The Victory of Light over Darkness\", but what Klimt presented instead was a dreamlike mass of humanity, referring neither to optimism nor rationalism, but to a \"viscous void\"